Shoehorn in a Tube strike reference, why don’t you?

Shameless. Fucking shameless.

Bottle of Lunate Fiano on a chopping board

Wowch, hello, Lunate Fiano.

This is a properly powerful character. Lots of Fianos are the kind of middling, inoffensive cack that’s practically crying out for a Tesco’s Finest label. This one isn’t.

It’s bloody full, for a start. Sort of like Earl’s Court station has been, lately. But it smells a fair bit better.

(Jesus God, imagine if Earl’s Court smelt like this…)

I like white wines that give your gob something to grab onto, rather than dancing lithely away like smoke. That savoury, stony, dominant quality. (Oh, why do you always wilfully misinterpret me when I say dominant? Yes, you.)

It’s not a fabulously intellectual wine. It’s not, ultimately, going to make a load of irritating winos crumple up their little faces in appallingly pseudo-orgasmic delight. Thank Christ for that. But it’s interesting, it’s got a character, and it costs less than a tenner. It’s the kind of wine I want to crack open when I’ve crawled past the middle of the work-week’s seesaw and am starting to feel the bastard tip downward.

Especially when I had to change trains at Earl’s Court in the middle of a fucking Tube strike.

This bottle was received as a free sample from Fine Wines Direct UK, where it costs £7.99. And I reckon I’ll give it 4 stars in a spirit of post-commute largesse. If you have a problem with that, do piss off.

Cellophanity, Putin-pleasuring and Pinot Gris

A significant portion of which is devoted to a spirited ‘crie de coeur’ on the subject of ready meal packaging, and most of the rest of which contemplates distasteful sexual activities practised upon Russian politicians. I’m up-front about this stuff, y’know.

Bottle of Hugel Pinot Gris and some oven ready meal instructions‘Remove cardboard sleeve and peel away plastic film.’

It sounds simple enough, doesn’t it? But, honestly, they may as well have said, ‘Remove cardboard sleeve and give Vladimir Putin a blowjob’, for all the chance I have of accomplishing their instruction with any modicum of ease or pleasure.

I’ve written before about my intense dislike of cellophane that fails grotesquely in its sole goddamn interaction with the customer. But that doesn’t mean I can’t write again. I mean, Christ. Collectively, think of the time humanity wastes on attempting to peel off a plastic seal and instead peeling off a ludicrous thread of plastic from around its rim, repeating this process at each of the carton’s four corners, before (defeated, humiliated) grabbing a knife and slashing psychopathically at the bastard cellophane until our collective shirts are spattered with ragu sauce that looks for all the world like blood.

Time that could be put to better use in — oh, I don’t know — curing cancer or eradicating poverty or watching the latest episode of Sherlock.

Oh, that Sherlock. He wears a nice dressing gown, doesn’t he? (Declare an interest? Me? Piss off.)

But don’t just think of the time. Think of the fucking psychological despoliation wreaked by this supposedly peelable cellophane. Whole generations demoralised by their inability efficiently and rapidly to prepare a godforsaken ready meal (the very words themselves a hollow mockery — for this now ungrippably-cellophanated carton in front of me couldn’t be any less ready); to follow even the unglamorous preparatory instruction — mere prelude to the complex matrix of oven types and temperatures, and frozen vs chilled states. When we see growth rates in the developed world stalling and purchases of pre-prepared food rising, do we not pause to consider the relationship between the two?

JUST AS SODDING WELL, THEN, that I have a half-bottle of Hugel Pinot Gris, 2010 (The Wine Society, £6.95) to calm my cellophane-rage. A sluicing of very pleasant-tasting alcohol to numb my brain to the injustices and indignities of the food packaging regime — analogous, one might venture, to an autocrat’s cynical pampering of an emerging middle class with the finite proceeds of a natural gas boom whose days are numbered.

SEE WHAT I DID, THERE? YOU MIGHT HAVE MISSED IT, BECAUSE IT WAS QUITE SUBTLE. RE-READ THE ABOVE PARAGRAPH IF YOU’RE NOT SURE.

It’s nice, Hugel Pinot Gris. Of the Wine Society’s praiseworthy array of half bottles (several of which I’ve written about already), it’s one of my favourites. I like the way it lies, deliciously inert (like a coma coated in syrup), in your mouth. The way it rings out with fruit, but leaves your tongue free of that ganky aftertaste of the sugary muck that often gets called ‘fruity’.

(Speaking of which — fuck. When you’re pretty much living off wine from TWS and Waitrose, you sometimes forget just how goddamn withering a bad white wine can be. I was in a pub, the other week, and forgot myself to the degree that I actually ordered a glass of white wine — somehow extrapolating from the fact that most wine I drink is quite nice a kind of rule that all wine I choose to drink will therefore be nice. A rule whose inherent fallacy was pitilessly exposed by said pub and its vinous offering.)

Hmm. Somewhere between talking about presidential fellatio and rotten pub wine, I was doing a kind of wine review, there, wasn’t I? Christ alive. Sorry about that. We’ve dispensed, haven’t we, you and I?, with any kind of flimsy, cellophane-esque pretence that you’re here for in-depth or nuanced alcoholic commentary. The commentary of an alcoholic, maybe. But not alcoholic commentary. So let’s leave it at this. Hugel Pinot Gris. Easy to open (if you have a corkscrew). Doesn’t cause you to flail around with a kitchen knife. And definitely tastes better than my ready meal.

Not to mention Putin.

Lemons, stones and sunshine for a sodden marmoset

Tresolmos Verdejo from the Wine Society is exactly what you need after battling through the bleak London rain

A bottle of Verdejo; in the background, the blurred, rainy street lamps of London

What do you need after battling through the bleak London rain? What do you need after huddling shivering and sodden on the back seat of a bus whose windows have been inexplicably flung open by some masochistic Chelsea commuter?*

You need a glass of Tresolmos Verdejo, you miserable, trauma-eroded marmoset, you.

Because it’s very nice. And (which is One Of The Reasons For Which I Love The Wine Society) it defibrillates your tastebuds with a flavour you can’t pick up off the shelf at your local express supermarket, that’s for sure.

Defibrillation for £7.50. Save the NHS a few quid and do it my way.

So, as I jerk back to consciousness, my gob’s suddenly alive with bitter, gripping zest — lemony pith. But alongside the electric, citric jangle, there’s that fullness. That almost indecent fullness, set alongside all that bite and the zing. But it’s not a bit oily, not a bit flabby. It’s like a slim, clean sort of chap who goes to yoga five times a week: he may look slender, but he’s strong.

I drink Tresolmos Verdejo and it makes me think of being outside when it’s not actually freezing and hosing down with rain. If you can picture that scene even vaguely. Makes me think of lemons and the oil of lemons on my fingernails. Of stones and sunshine.

And of a beautifully aerated number 22 bus.

Rating ???? 4 stars (very good)
Region Rueda, Spain
Grape Verdejo
ABV 13%
Price £7.50 from The Wine Society. But — ye gods! — I now find it’s sold out.  Back in stock!
* Yeah, so, according to guardian angel of the online wine community Robert McIntosh, the fresh air is good for me. What-ev-er.

Slovenia vs Slovakia (wine and geographic confusion)

In which two utterly different wines from two utterly different countries are arbitrarily compared on the grounds that Old Parn sometimes gets their names mixed up.

Slovenia, Slovakia; Slovakia, Slovenia. Two nations that, I realise, are entirely distinct and just happen to have names that a mindless idiot like me is always getting mixed up. I’ve never been to either (perhaps, had I done so, my confusion would cease). But I have met several people from both countries, all of whom have been delightful human beings.

On this principle, I approached both Slovenian and Slovakian wine — neither being exactly easy to find, here in the UK — with optimism. And decided to crack open a bottle from each and to pit them against one another in an attempt to use the medium of wine to overcome my inability to remember which country is which.

(Okay. That’s one of the lamest excuses I’ve come up with to open two bottles of wine. And that’s saying something.)

A bottle of Pinot Gris from Tilia Estate, Slovenia

So — the outcome of this meaningless and artificial clash of two proud nations? Something of a one-sided contest, I’m afraid. Because — alas! — my Slovenian contender was less than championship material. A Tilia Estate Pinot Gris (★, £12.99) that I bought from Naked Wines a while ago — which was, honestly, just a bit depressing. Sort of like Luton airport, but without the prospect of being en route anywhere better.

I mean, it’s not undrinkable or anything. But it’s slack in the gob; rather heavy and sullen. A pudgy child who’d rather be playing Call of Duty than turning up to PE. There’s nothing outright offensive about it. I just, well, hoped for better.

The label of a bottle of Alibernet by EleskoWhich is just as well. Because better is exactly what I got, courtesy of Slovakia and Adam Priscak, who kindly brought me back a bottle from his latest trip home. Step forward one wine made by Elesko called Alibernet 1, neskorý zber, suché, 2009 (★★★★). Which is a lot of words that I don’t understand. Nice, eh? Adam tells me that this wine is made in small quantities. Fine by me, so long as I get some of it. Because it is sodding lovely. As deep as a very deep hole (with some mushrooms growing in it, perhaps). Ripping and earthy and proud. There’s a kind of polishy quality to it (as distinct from Polishy, which is a bit further north — for the benefit of those of you using this blog as a guide to central/eastern-European geography. You poor, poor buggers.)

It’s full and fruited, but not remotely glib. Dark, big and extremely good. Thank you Adam; thank you Elesko. Fine representatives of your nation.

So it looks like the scoreline is currently Slovakia 1; Slovenia 0. Based on a ludicrous and utterly unrepresentative sample. Just the way we like it. So I’m putting out a call for recommendations of Slovenian wines that could even the score… Suggestions in the comments, s’il te plait.

A Picpoul de Pinet to neutralise canine flatulence

Domaine Felines Jourdan Picpoul de Pinet should be chilled and ready in your fridge to be snatched out at the first signs of autumn’s fleeting sunshine — or a farting dog

The label of this bottle of Picpoul de Pinet features elegant typography and simple silhouette images of trees

A quickie, today.

(Ooh.)

So here’s a smashing Pee Pee de Pee from The Wine Society. Yes, that’s the same Wine Society that just won Decanter’s National Wine Merchant of the Year award. For the second time running. Which just goes to show two things: 1. that this blog is occasionally (if only coincidentally) capable of vague topicality, and 2. that Decanter Magazine does occasionally manage to do/say something that isn’t as annoying as a farting dog on a rush hour tube.

Anyhow, back to the Picpoul. And a bewitching character it is. The first thing that hits you is the smell: bright, ringing, clean. Delicious. Then you get it into your gob. It’s proper, grown-up, complex, with that stony, bracing quality: while it may be light, it sure as hell ain’t lite.

Elegant, poised and deeply, deeply satisfying. Have a bottle in your fridge and snatch it out when autumn next sees fit to unveil her fleeting sunshine.

Or when you next get home after a long commute alongside someone’s flatulent pet.

Rating ★★★★ 4 stars (very good)
Region Languedoc & Roussillon
Grape Picpoul
ABV 13.5%
Price £7.50 from The Wine Society; £8.95 from BBR

A Csárdás in a glass — Hilltop Hungarian White

… is a tantalising, gob-watering Csárdás of a wine that lobs a grenade of tropicality — mandarins, lychees, peaches, the kinds of fruits that ooze when you squidge them — that follows up with an aftershock of dry, icy citrus

Closeup of the purple label of this Hungarian wine. Simple typographic design.

Here’s a happy, carefree, unselfconscious dance of a wine. A Csárdás. A whooping whirligig of fruit and flavour and life. Like the best dances, it’s got energy, momentum. Which might be just an absurdly pretentious way of saying you can get through a bottle of this stuff pretty damn quickly; pretty damn happily.

Into your cavernous gob, Hilltop Estates Cserszegi F?szeres lobs a grenade of tropicality — mandarins, lychees, peaches, the kinds of fruits that ooze when you squidge them — that follows up with an aftershock of dry, icy citrus. In response, your poor mouth can only conjure up bucketloads of saliva like a really shit magician.

ROLL UP! ROLL UP! SEE THE AMAZING DRIBBLE-CONJURURING MOUTH! BE AMAZED, OR YOUR MONEY BACK IN FULL!

This — listen, now, because this really is amazing — this tantalising, gob-watering Csárdás of a wine is £5.75. It’s only 11% ABV. It’s outstanding for the price, and I’ll be ordering more. Serve it up to dinner-party guests as an aperitif and make them guess where it’s from. Indulge yourself in innumerable hungry/Hungary puns. Go on! Tease ’em! IT WILL BE FUN.

Almost as much fun as the dance.

Wines like this are the reason I’m a member of the Wine Society. Exciting, unexpected, and the kind of thing most supermarkets would dismiss with a peremptory flick of the hand.

Well — joke’s on them. £5.75, you daft plonkers. £5.75!

Time to get dancing.

Rating ???? 4 stars (very good)
Region Hungary
Grape Cserszegi F?szeres
ABV 11%
Price £5.75 from The Wine Society

Mischievous Italian flirtation, with a hint of gruffness

… will flirt fruitily with your nose, before getting gruff with your gob

The label of this bottle of Falerio shows crest and vineyard

Fill your snout with a decent sniff of Saladini Pilastri Falerio and you’ll think that you’re in for a flighty, flirty, fruity kind of wine. Mischievous, light-footed, scarpersome. There’s that beguiling waft of pear drops, for one thing, that always puts me in mind of smalltime juvenile delinquency.

But swish a bit of the stuff round your mouth and you might be surprised at the amount of fullness and depth. There’s a nice hint of bitterness; a gruff quality that contradicts (or enhances, I guess, if gruffness is your thing) the flirtatious, fruity, sweet-shoppy goings on.

It’s not a blindingly extraordinary wine, but neither is it a typical one. And for the rather goddamn lovely price of £6.25 — I’d contend — this is the kind of bottle you could well be cracking open in the middle of the week and still tasting something new, something interesting.

Rating ★★★ 3 stars (good)
Region Falerio dei Colli Ascolani (South Italy)
Grapes Passerina and Pecorino
ABV 13%
Price £6.25 from The Wine Society

Guest post: The Ubiquity Of Fizz

In which Old Parn’s first guest blogger, Elly Tams, has her knickers charmed off by Prosecco

Closeup of the simple green label of a bottle of San Leo Prosecco

This is a grand moment: the first guest blogpost on Old Parn. Um, on the blog, I mean. Not actually on me.

Your blogger today is Elly Tams. Elly is a writer; her debut novella Scribbling On Foucault’s Walls wonders what would have happened if Michel Foucault the homosexual French philosopher had in fact had a daughter. I encountered Elly (also known as Quiet Riot Girl) on Twitter, and I liked her tweets straight away. I liked the way she spoke about her area of interest (gender/sexuality etc) with conviction, directness and simplicity. The way she didn’t hide behind abstract nouns and academic terminology.

Turns out Elly likes wine. So I asked her if she’d write a guest post. And she did. Huzzah…

***

Party Like It’s 1999

I blame the Millenium. Before the 31st of December 1999, champagne was reserved for special occasions. I mean REALLY special. Weddings, coronations, Formula One racing, Number One Singles (remember them?), losing your virginity, winning the premium bonds. But ever since that hyped-up, arbitrary, potentially computer-destroying, slightly tacky otherwise ordinary New Year’s Eve 12 years ago, the world has been awash with fizzy wine. I realised the definition of ‘celebration’ was getting a bit loose when I bought a bottle of cava to celebrate the release of my favourite band’s latest album. It’s a slippery slope.

This ubiquity of fizz has meant I have become rather familiar with the genre. Not with the crème de la crème, you understand. I still don’t know the difference between a Dom Perignon and a Crystal. The cheap stuff is my area. My favourite part of a good friend’s wedding rigmarole was a few weeks before the big day, when we did a fizzy wine tasting at her place. There is a fine line between a good cheap bottle of fizz and an awful one (hint: the awful ones seem to be trying to strip off the back of your throat and the hangovers come with headaches from hell).

If you don’t have the time or the liver capacity to do the research, my advice for finding a reliable, reasonably priced sparkling wine is simple. The answer is Prosecco.

To avoid the embarrassment of me not knowing anything about grape varieties or regions or acidity or any of the technical stuff that wine buffs dazzle us with, I will distract you with a metaphor. If all the fizzy wines were in a line up and you were choosing which one to go on a date with, Prosecco might be the quieter one. It would be handsome and well-dressed in an understated way. It would not be trying too hard to impress, because it wouldn’t need to. It would be self-assured and confident in its qualities. It would be a mistake to pass over it for the more flashy contenders.

Prosecco charmed my knickers off for the first time in an Italian bar and restaurant in Sheffield a few years ago. I will admit it. The first thing that attracted me to it was the price. Cheaper than champagne but tasting just as good – in many cases better – it has been a firm favourite ever since. The best deals are at supermarkets. Recently I found some San Leo prosecco at Waitrose for £6.95, reduced from £10.44. Four bottles later I can confirm it is a classic. I prefer brut, and this one is indeed very dry but the lovely thing about prosecco is after the first couple of bottles – I mean glasses – even the driest versions become smooth and creamy to drink.

Part of me wishes I’d bought the whole lot of reduced San Leo when it was on offer. But another, more sensible, and probably more romantic part doesn’t. Because if any type of wine can keep the experience of quaffing fizz special, it’s prosecco.

***

Thanks, Elly. I bought a mini-bottle of the San Leo myself. Purely for, um, research, you understand. And she’s right: it’s damn pleasant, accessible, celebratory stuff.

If you yourself have a wine that you’d like to talk about, do get in touch, won’t you?

Meanwhile, here’s a link to Elly’s blog, Quiet Riot Girl, and her Twitter feed.

Battery Chardonnay or Jane Austen Chardonnay?

… may not possess Austen-esque poise, but it has manners, and doesn’t overwhelm and disgust you with noxious belching

Closeup of the label of a bottle of Stephen Miller Chardonnay, complete with typography and logo — a bearded man's face, complete with hat

Chardonnay’s a beautiful, beautiful grape. Matt Walls got it right when he compared it to Farrah Fawcett, Beyonce, Scarlett Johansson and Leonardo DiCaprio.

But all too often, Chardonnay is treated shabbily. The result is a battery chicken of a wine, all pumped up and fattened and flabby and morally offensive.

I’ve spoken to so, so many people (of all ages and degrees of wine knowledge) who’ve said that they ‘don’t like Chardonnay’. Because they’ve only knowingly tasted battery Chardonnay. And fair enough. Because battery Chardonnay is fucking heinous stuff. Swollen, belching, flabby and gaudy, the kind of wine that yells out to its mates then falls over in the gutter. Where it belongs.

So when I see a cheapish Chardonnay from the new world, I hope I’m not in for a run-in with one of these characters. Fortunately, Stephen Millier’s Chardonnay isn’t one; it’s an altogether more demure affair. Not as much as some (Chardonnay is capable of Austen-esque poise), but it’s got manners, and doesn’t overwhelm and disgust you with a gigantic belch of alcohol. In fact, if you chill it down decently (perhaps a bit more than you really ought to chill chardonnay), it’s quite nimble and sprightly in the old gob.

Chardonnay can, of course, do quite a lot more than not be disgusting. And I realise that, as recommendations go, this is scarcely a clarion-call. But so it goes. If you’re a Naked Wines member, you fancy Chardonnay, and you have a budget of £5.99, I’d say you should give this’n a go.

If you’re not a member, save your £7.99 and put it towards a copy of Pride & Prejudice.

Rating ★★★ 3 stars (good)
Grape Chardonnay
Region California
ABV 13%
Price £7.99 from Naked Wines (£5.99 for members)

A sherry suckerpunch of Manzanilla mouthjoy

…is one half-bottle-sized suckerpunch of mouthjoy — the sea-wind bite, the roll of it, the swell of it, the crescendo

A bottle of sherry and a condensation-beaded glass -- on the background of a floral print

Sherry, sherry. I adore sherry. I adore it in its many guises and manifestations. Whenever I’m passing through a decent wine shop or supermarket, I scour the shelves for half-bottles of sherry. Because half-bottles of sherry, my dear friend, are like anchovies: my kitchen is bereft without them.

So last time I was salivating my way round Whole Foods, I tossed a half of Fernando de Castilla Manzanilla into my basket.

And Manzanilla (oh! Manzanilla!) is possibly the sherry I adore most of all.

Why? Because of its richness, its depth and its bite. This one is a half-bottle-sized suckerpunch of mouthjoy. The impossibly woody, dense, complicated smell. The sea-wind bite — like spray from the cold Atlantic. The roll of it, the swell of it, the almost overwhelming crescendo of the flavour once you have it there in your gob.

The way it leaves you gasping for another mouthful.

This is an excellent Manzanilla. I can imagine drinking it with some of those anchovies. And lemon. Salt. Bite. Yeah. That would be fucking lovely.

Staggering, mouthwatering, delicious.

Drink it. Drink sherry. Drink!

Rating ???? 4 stars (very good)
Region Jerez
ABV 15%
Price £6.49 (half bottle) from Whole Foods, High Street Kensington; £10.95 (whole bottle) from Stone & Vine

A fresh, thunderstorm-clearing Alsace Riesling

… is a wine for rooftop terraces and golden sunshine

A half bottle of Trimbach Riesling, with distinctive bright yellow label, sits on a tabletop

Fresh!

This is like walking outside into air just cleared by a spring thunderstorm (pavements still wet) after a day in a stodgy, stuffy office. It is delicious. Sharp (grapefruit sharp; stiletto sharp), with a flavour that rings out like a clean-struck bell.

A wine for rooftop terraces; a wine for golden sunshine.

Delicious.

Rating ★★★★ 4 stars (very good)
Grape Riesling
Region Alsace
ABV 13%
Price £6.25 for a half-bottle from The Wine Society; £10.95 for a full bottle.

A loving 70s housewife of a wine

… has a picture of a horse on it

A bottle of yellow-labelled Arabella (stock image)Slightly too much bosh when you first slug Arabella into your gob — but other than that, she’s pretty nice. Especially if you don’t chill the pants off her, but instead do her the courtesy of drinking her only slightly chilled. Then you get all the luscious tinned fruit she’s been saving up for you like a loving 70s housewife, fearful of imminent nuclear apocalypse.

Mmm. Tinned fruit.

Pear drops crop up in there, too (though quite as dramatically as we’ve seen elsewhere). Rather nice, actually.

And it’s got a picture of a horse on it.

Um. That’s all I’ve got to say. Can I go and play in the torrential rain now, please?

Rating ??? 3 stars (good)
Grape Chenin Blanc
Region South Africa
ABV 12%
Price £8.49 from Naked Wines; £6.25 if you’re a member

The Extravagant Complexity of Wine (inspired by white Rioja)

In which Old Parn recounts the tale of his first serious wine purchase — and muses on the notions of choice and experimentation with the aid of a very nice bottle of white Rioja

Closeup of the label of a bottle of white RiojaDo you want to know what I love most of all about wine? Wine is an extravagantly complex universe, with bewildering variety, innumerable secrets and surprises.

I have an embarrassing — borderline clinical — compulsion to try new things. To try ALL THE NEW THINGS IN THE WORLD EVER. When I was a student, I spent a ludicrous amount of my loan (Go Team Maximum Student Loan!) on spirits. ‘Typical bloody student,’ you’re probably muttering, as you rustle your Daily Mail disapprovingly. But, y’see, I spent my loan on every spirit/liqueur I could find. Frangelico? Check. Framboise? Check. Creme de Cacao? Check. Amaretto? Check. Mine was not the shopping list of the typical student, I like to think.

(Christ alive, Parn, eradicate that entirely unwarranted tone of pride from your writing right now.)

Yeah. I wanted ALL THE SPIRITS. Because I wanted to be able to make ALL THE COCKTAILS. As a result, my university bedroom resembled a well-stocked off-license in a wealthy London borough. Except with Radiohead posters and the unmistakable stench of adolescent pretension. People came round to my room for a drink; I gave them a sodding menu.

But then I discovered that — actually — spirits were boring*. The apparent variety of the supermarket spirits section was nothing compared to the variety in my first case of wine. From Majestic.

Let me tell you about that first case of wine. I’d just moved into my first non-student abode. My first shared house. I’d landed my first BIG JOB (putting books back on shelves). I was almost like a Real Grown Up. And as such I decided to do what Grown Ups do: order a case of wine.

(Make your own deductions about my warped conception of adulthood. I don’t care.)

For someone who’d previously chosen his wine from the shelves of Sainsbury’s local, this was a revelation. So much choice! So many unfamiliar names!

I still have that same excitement whenever I browse wines in a good shop (online or off): that vertiginous thrill of bewildering, tantalising choice. The terror of knowing that even if I never drink the same wine twice, I still have no hope of trying them all. And I sincerely cannot imagine being faced with all these tantalising, exotic, unfamiliar names — and then putting a big-brand Australian Chardonnay into my basket. For me, that’d be like going to Thailand and having dinner in Burger King. I don’t mean that to sound snobbish. Because I think that the ‘safe’ ubiquity of big-brand wine is in no goddamn way the fault of customers who are intimidated by incomprehensible choice. Not everyone is a weirdass novelty-seeker like me — and if normal people don’t feel they can explore the unknowns of the wine world, that’s a failure on the part of the industry. But that’s another subject, eh?

So I filled my Majestic basket with unfamiliar fruits. Sure, lots of ’em would be well-known to me now — but then, everything was glimmering and new.

I still remember the first bottle I drank from that case, along with some friends: a white Rioja. And I thought: ‘Whoa. This is interesting. This wine kind of smells a bit like sheep’s cheese or something. How the hell does that work?’

(Nobody else knew what the hell I was burbling about when I said the bit about sheep’s cheese, by the way. They probably thought I was having a stroke.)

If you want to check out the sheep’s cheese thing yourself, I suggest you snap up a bottle of Navajas White Rioja from The Wine Society (****) It’s got that slightly sharp sheepy tang (boy, how appetising I make it sound) that took me right back to that first Majestic bottle. But when you get it into your gob, you’re cavorting with apricots and peaches. It’s dry, mind — and brilliantly, grippingly acidic, holding that jubilant fruit entirely in check.

And it costs £7.25 a bottle.

To me, £7.25 is a miserly amount to spend on a sensory experience that’s so goddamn unusual (so goddamn nice). That £7.25 wouldn’t even buy you a bottle of big-brand plonk in a Bethnal Green off-license (quoth the voice of bitter experience). But here it buys you apricots and sheep’s cheese and nostalgia.

Isn’t that, really, when we get down to it, pretty fucking exciting?

* Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)

Winsome White Wines from Waitrose

In which Old Parn points a quivering finger at two excellent wines you’d be a damned fool not to go and buy right now

Two bottles of wine (a Gruner Veltliner and an Albarino) standing side by side

Here’s an idea. Next time you’re in Waitrose (don’t protest, I know you’re always in there. You’re so middle class.), snag yourself the pair of wines depicted above. Both of them are on offer (yes, yes, my pretties) — 25% off, I think — and both of them are bloody good.

Both are zingy and dry and gob-enlivening as you like. The Vina Taboexa Albarino is all zest and candied lemon and crisp spring mornings; the Domane Wachau Gruner Veltliner is stonier, leaner, less fruited. Both of them are goddamn delicious. If this sodding rain would ever stop, you’d be entirely sensible to sneak out into the evening sunshine with a bottle of either.

Snap them up (potentially in bulk) while they’re ludicrously cheap. That is, in the next two days.

BUT STAY AWAY FROM WAITROSE IN PUTNEY. Those’n’s are mine.

Quinta da Espiga Branco 2010 (Casa Santos Lima) review

… may not be a bona fide speed potion mixed by a malicious child — but is certainly nice enough to warrant a shambling kind of jog as you go to fetch your wallet

A childhood photograph of Old Parn and his sister (who has a teddy bear)What was the first cocktail you ever made?

Mine was a speed potion.

In order that I may elaborate further, I’d like to introduce you to my sister — Young Parn, Koozle or Parnell’s Sister, as she is variously known — who, by virtue of being two years my junior, qualified for that most precious form of sibling love: merciless, vile-spirited deceit and manipulation.

Spare a thought, o reader, for Parnell’s Sister.

Spare a thought for her, specifically, as she sits, her eager gob agape, listening to me telling her that I am training to be a wizard.

YES, ROWLING, DID YOU GET THAT? A WIZARD. ROLL THAT UP IN YOUR FORTHCOMING PLAGIARISM COURT SUMMONS AND SMOKE IT. PARN GOT THERE FIRST.

‘What kind of magic can you do?’ asks Koozle, her eyes a-sparkle with gullible excitement.

‘Oh, well, I’m not very good yet,’ I nonchalantly reply, with the inspired modesty of the sociopathic liar. ‘But they did teach me how to make a speed potion.’

‘A speed potion?’

‘A speed potion.’

Next thing, we’re in the kitchen. Of course. And — inspired in equal parts by George’s Marvellous Medicine and innate pre-pubescent sadism — I am making my sister a speed potion.

God knows (and I hope the old chap will one day find it in his heart to forgive me for) what I put into that horrific concoction. I’m fairly sure (sorry, Katie, sorry) there was Fairy Liquid. There was definitely a spoonful of marmite, ketchup, every variety of fruit squash available, a generous measure of milk and an old fruit pastille.

And — of course — in order for the potion to have its full effect, it had to be drunk all in one go. Which, to her further great credit, Young Parn managed with aplomb. I hardly even think she tasted it, honestly, so consumed was she with manic anticipation.

HOW DO I KNOW IF IT WORKED?‘ she screamed, jiggling impatiently from one stumpy little leg to the other.

‘Um … Well, you know how I’m faster at running than you, normally? Well — I’ll race you to the bottom of the garden. If it’s worked, you’ll beat me.’

Reader, it is a testament to the inordinate power of the placebo effect that she might even have done so even if I hadn’t slowed my own running pace to a crawl. Because never again have I seen my sister run as she did that day — spurred like a adrenaline-pumped greyhound by the intensity of her misguided belief in her despicable sibling’s lies.

A shot of the (yellow) label of a bottle of this Portuguese white. In the background, a glass (out of focus), chopping board and cutlery

Quinta da Espiga doesn’t taste like my speed potion (or what I imagine my speed potion might’ve tasted like. I mean, Christ. You don’t imagine I was idiotic enough to try it, do you?) — but it does taste a tiny bit like the second cocktail I ever made: my own top secret recipe consisting of tropical fruit squash, orange squash and water. Mixologists, take note.

That’s not to say that this wine tastes like a mixture of cheap concentrates concocted by a malicious child. Oh dear. This is going all wrong, isn’t it? Because I actually rather like the stuff. In a yes-very-nice-move-right-along kind of way. It’s sharp and bracing and gob-parchingly dry, and, yeah, there’s a backdrop of citrus and tropical fruits that reminds me of my childhood squash-mixing — in case you hadn’t picked that bit up from the laboured anecdote which consumes far more of the length of this post than does the actual review-type bit.

AND WHAT, PRECISELY, IS WRONG WITH THAT, PRAY?

Considering it’s only 12.5% ABV, it’s punchy as you like. It’s got a kind of steeliness to it that I rather admire, and it’s a little forthright, a little dominant — in a polite, middle-class, fluffy-Anne-Summers-handcuffs kind of way.

So whilst I can’t pretend it’ll make you run across the garden at twice your normal speed, I’d contend that — at well under £7 — it’s nice enough to warrant a shambling kind of jog across to fetch your wallet and order a bottle to try for yourself.

Rating ★★★ 3 stars (good)
Region Lima, Portugal
Grapes Fernao Pires, Vital, Arinto and others, apparently
ABV 12.5%
Price £6.25 from The Wine Society

Natureo 2010, Torres review

… is just the kind of de-alcoholised pick-me-up you DON’T need after being told stories of martini-making for the Queen

The label of this bottle of de-alcoholised wine by Torres — a picture of a leaf adorns the label of this trap for unwary wine-shoppers

Now. I wish I could present what follows in the light of intrepid, altruistic experimentation. The reviewer acting on the behalf of his beloved community.

But no. Alas. The only valid explanation is, I’m afraid, my own bestial idiocy.

Picture me, then, as I stroll through the aisles of Waitrose. Perhaps, yes, perhaps I am a little more distracted than usual; my thoughts elsewhere. Specifically, my thoughts are still stuck at Waitrose’s cakes/baked goods counter, to which I was bewilderingly summoned, moments ago; interrupted amidst my blithe perusal of the organic eggs:

‘Excuse me, sir! Can I tempt you with my cakes?’

My dear reader: I am not accustomed to being tempted with the cakes of strangers. Least of all strangers wearing Waitrose caps and aprons. But, heedless of warning signs, I amble across.

‘Is that a bottle of gin I spy in your basket?’ cries this affable (by which I of course mean fucking weird-ass) baker.

‘Er, yup.’

‘Ah, Plymouth. Good choice. I bet it would go wonderfully with one of my cakes.’ (Looking at his cakes, this strikes me as an unsound wager.) ‘May I ask what you plan to do with your gin?’

‘Um … make martinis?’

At this, Waitrose Man’s face lights up like a napalmed shellsuit factory.

‘Martinis! Oh, well! Martinis! I’ll let you into a secret: martinis are something of a speciality of mine. I used to make martinis for a very special person. I can’t tell you who. But a very special person.’

‘Oh,’ I reply, weakly. ‘That sounds like a story.’

You will note that I choose to punctuate the above with a concluding full-stop, rather than a question mark. For, dear reader, it sounded like a story I did not much want to hear. But a story I had a feeling I was going to hear, full-stop or no.

And I was right.

‘Well, let me tell you … I can’t talk too much about it …’ (he looks left and right for eavesdroppers, leans forward and continues, sotto voce) ‘… but I’ll put it like this: when you’re making martinis for the Queen, you must be doing something right.’

***

When at length I’d extricated myself from the above exchange, I blundered dumbly for some time through the aisles of Waitrose, visions swimming before me of my wild-eyed cake-seller shaking his regal martinis.

And it was in this semi-delirious state that I picked up a bottle of Torres Natureo.

Now, you might not be thinking that this sounds like much of a disaster. Torres is a brand that makes some good mass-market-type wines. Indeed, it was this fact, coupled with its being on offer, that motivated me to grab a bottle: ‘I’ll review this for those splendid readers of mine,’ I thought. ‘For they are the sorts who’ll surely flock to snap up a Waitrose special offer, are they not?’

Well, maybe you are.

But maybe you’re not a blind fool like me.

And maybe you’ll therefore have observed those evil, evil words skulking beneath the name of this bottle (in something that looks appallingly like that fucking Brush Script typeface, no less):

‘De-alcoholised wine’

You may imagine my horror when, back at home, my eye fell upon those nauseating words. I felt a searing pain comparable (I am almost sure) with that of childbirth — and let out an appropriately agonised wail:

By the blackened arsehole of Beelzebub — NO!

But, heck, I pulled myself together. Gathered up the scraps of my journalistic impartiality (ha!) and decided to taste the blighter.

And, okay, I’ll be honest: when first I walloped some of the despicable liquid into my trap, I actually thought, hell, this isn’t as appalling as I expected. There’s a snap of acidity that’s almost bracing. A kind of Riesling-esque poise.

Alas, that poise disintegrates more rapidly than a leper in a wind tunnel. And is rapidly succeeded by a grim, pitiless flavour that is hauntingly like that of too-weak orange squash (from cheap-brand concentrate).

What’s more, it leaves about as pleasant a legacy in your mouth as the US did in Vietnam.

Ganky, cloying rot.

Look, it must be really hard to make a good wine with this little alcohol in it. So — how’s this for an idea? — don’t bother. I mean, if you don’t like alcohol, why in the name of the nailed up Messiah would you want to have a bottle of crappy fake-wine? And if you do like alcohol (but you have to drive later, or something) a mouthful of this is a patronising insult to your tastebuds.

Either way: stick to Schloer.

Or, if you’re the Queen, stick to martinis.

Rating ☆ 0 stars (lamentable)
Grape Muscat
ABV 0.5%
Price Currently 20% off — £4.55 — at Waitrose. A temptation to be resisted like the cakes of a lunatic.