Verd Albera, Emporda review

… is a plump, florid, indulgent kind of wine — a hint of that chardonnay roundness and chubbiness, overlaid with a sprinkling of spice and pepper

Closeup of the elegant label of a bottle of Verd Albera from The Wine Society: minimal typography on a textured plain label

God, don’t you get sick of me telling you about wines from The Wine Society that are sodding good value?

Well, apologies. Because here’s another. Verd Albera is a relatively plump, florid, indulgent kind of wine — it has a hint of that chardonnay roundness and chubbiness to it, but overlaid with a sprinkling of spice and pepper. So the luxuriant fruity, buttery gubbins is cut with a savoury bite. And it’s all dashed through with that matt zing of lemon zest.

Extremely nice, and tastes as though it could’ve cost a fair stack more than it does. It also looks good, in an understated, elegant sort of way.

What’s more, I’m going to send a bottle of this as a prize to the person who posts the funniest/most ludicrous example of terrible wine label writing on my post of yesterday. Quick!

Rating ★★★★ 4 stars (very good)
Region Emporda
Grapes Muscat and Grenache Blanc
ABV 13.5%
Price £7.95 from The Wine Society (for the 2010 vintage)
Don’t take my word for it? [Sob.] Check out Jamie Goode’s review of the same wine — posted, would you believe, on the same day — for a second (also glowingly positive) opinion.

Domaine du Salvard Cheverny 2009 review

… is a welcome contrast to some Sauvignon Blancs, that are a bit like ketamine-laced teenagers, spoiling for whatever it is ketamine-laced teenagers spoil for

A bottle of Domaine du Salvard — typical French wine label, signed by Delaille

Ah, that’s rather a lovely Sauvignon Blanc from the Loire. There’s the grass and the snap of it — but also a swoonsome waft of blossom. Suck’n’swirl and you may find yourself encountering bit of sweet, toffeed, fudgy stuff in there.

It’s quite soft, even if you let it linger — in contrast to some Sauvignon Blancs, that are a bit like ketamine-laced teenagers, spoiling for whatever it is ketamine-laced teenagers spoil for. You’ve seen them. The rap singers.

Yeah. It’s gently, restrained. Not too harsh or zingy — it nibbles rather than bites. Elegant. And fine, fine value for thy wodge.

Rating **** 4 stars (very good)
Region Loire
Grape Sauvignon Blanc
ABV 12%
Price £7.50 from The Wine Society (link is to 2010 vintage, as 2009 is sold out)

Pouilly-Fume 2009, Seguin (half bottle) review

… is a sharp, acidic gob-flasher who reads Zola novels and plays the bassoon

A half bottle of Pouilly-Fume from the Wine SocietyThis is a delicious wine. Buoyant zing, spring leaves. I love it when a sharp, acidic gob-flasher like this is backed up by that bready wholeness that rounds it out and gives it depth.

A flasher who reads Zola novels and plays the bassoon.

Almost criminally drinkable, it’s lovely, balanced, fresh. A long-lasting tongue-tingler. And it comes in a half-bottle, alright?

Legend.

Again, here’s what Sauvignon Blanc can do, kids. (And when I say ‘kids’, obviously I mean ‘over-18-year-olds’.) Sauvignon Blancs can be exquisitely balanced — fresh, immediate, springy — yet non-cloying.

Lovely stuff.

Rating 4 stars (very good)
Region Pouilly Fume, Loire
Grape Sauvignon Blanc
ABV 12.5%
Price £7.50 for a half bottle from The Wine Society

Potel Aviron Moulin-a-Vent 2005 review

… triumphantly reminds us that the word ‘fruity’ actually refers to real, honest fruit — not the synthetic sugar-water peddled by oily bell-ends in ugly suits

Label of this bottle of Beaujolais from Moulin a Vent. Simple, text on white

What have we here? A bottle of Beaujolais, yeah. This’n hails from the region of Moulin-a-Vent — one of the ten so-called ‘crus’ (specific small areas of Beaujolais that are classified as the top regions).

Which is all, doubtless, very nice to know.

The reason I mention it, though, is that you may already have an idea what to expect of a nippy little Beaujolais. And this Moulin-a-Vent may upend your expectations.

Because Beaujolais is the Lolita of the red wine world, except (I damn well hope) with a bit less implicit moral degeneracy. We expect a Beaujolais, don’t we, to be consumed in the very bloom of its youth? All flowers and fruits and heady perfume.

But it needn’t always be thus. And this is one wine that you may not want to tip down your gullet before it’s even reached its second birthday.

And so — with the aid of my parents and some damn nice lamb leg steaks — I decided to give this six-year-old a whirl.

And a rather damn good whirl it was, too.

Verdict

First, can I just say: fruit. Fruit. This is what I want to taste when someone tells me a wine is ‘fruity’. I want it to be — like this — as if I’d just crammed my thirsty gob with a handful of sharp, wild berries, picked from, oh, I don’t know, a forest thicket or something. All bright and sharp and savage, the shudder-inducing burst of flavour giving way to the bitter, matt cud of the skins.

That’s fruity. Let us never forget, and allow some oily bell-end in an ugly suit sell us the notion that ‘fruity’ actually means ‘tastes like fucking synthetic fruit-flavoured sugar-water’.

So this is fruity like wild cherries fished from your the pocket of your grandad’s tweed jacket — overlaid with spice and tobacco and polish and leather. Still youthful, oh yes — but this is a kind of autumnal youth, a rustic youth. Not a lab-grown, foetal youth.

I love wine like this — wine that combines a come-and-get-me vitality with a self-confident integrity.

And reminds us that the word fruity belongs to us, to the hedgerows, to the soil — not to some bunch of pink-tied FMCG wankers.

Rating ★★★★ 4 stars (very good)
Region Moulin-a-Vent, Beaujolais
Grape(s) Gamay
ABV 13%
Price £10.99 from The Wine Society (no longer available)

Val do Salnes Albarino 2009 review (Sunday quickie)

… will hit your snout like a sharp gust of sea breeze, then indulge your gob with a full, florid plumpness

Closeup of the label of this Albarino from Marks and Spencer. Elegant bottle and label, black, white and gold

Here’s a quick little Albarino review to keep you on your toes.

(You do stand on tiptoe when you’re reading this blog, don’t you?)

I snaffled this rather elegant bottle from M&S a few weeks ago. And within is a rather nice wine: dry (but not bone dry), lemony, gobtingling. A properly bracing smell — like a sharp gust of sea breeze — then, when you get it in your mouth, it’s full, florid, fruity. Slightly plump, slightly indulgent, but not remotely unbalanced.

Very nice, very nice, very nice.

Rating ★★★★ (4 stars: very good)
ABV 12.5%
Price £10.99 from Marks & Spencer

Kumeu River Estate Chardonnay 2008 review

… will take you out of the savage claws of Abu Hamza into the delicate paws of the BFG — all the while putting you in the mind of a bullock on a tightrope

A bottle of Kumeu River Estate Chardonnay: simple typographic label

You’ve suffered (haven’t you) through glasses of chardonnay that have all the subtlety of a back massage from Abu Hamza? Glasses of chardonnay, in other words, that purport to be dealing out a luxurious experience, but are actually a savage, raking assault.

Well, this chardonnay is more like a back massage from the BFG. Powerful, sure — but also surprisingly sensitive, surprisingly deft.

Yes, this wine is big. Big enough to make me mutter ‘Boosh!’ under my breath at my first gobful. It’s enormously rich, peachy, full of straw and opulent summer.

But for all its boosh, this wine has a damn impressive balance to it. You can swill it round like mouthwash (if you must), keep it in there for 5 seconds, 10 seconds — and it can take it. Big but not domineering or aggressive.

It’s like watching a prize bullock nimbly walk across a tightrope. A mesmerising combination of weight and balance.

Which is pretty awe-inspiring, even if you aren’t really into that whole bullock-circus thing.

Rating ★★★★ (4 stars)
ABV 13.5%
Price £15.50 from The Wine Society
I doff my hat to the excellent Rebecca Mosley, who supplied me with the BFG simile, above.

D’Aquino Reserve Merlot review

… is one Merlot that can grab onto Old Parn’s ankles any day of the week — soft yet taut; fleshy, springy, grabbable without being podgy

Naked Wines' D'Aquino Merlot: simple label with cursive typography and traditional crest

Bang! That’s my boy, Naked, that’s my boy. A confident, bold, self-possessed Merlot. Merlot with dignity. Not gutter-Merlot that grasps at your ankles, wheedling and baring its rotten teeth in the terrifying semblance of a smile, reeking of cheap sweet perfume.

(Oh Merlot. Poor maligned, abused Merlot.)

No. For whilst D’Aquino certainly throws up a bountiful snoutful of smells, cheap sweet perfume is not amongst them. Because this Merlot smells good.

Once you snatch it away from your nose and get it down you, you’ll encounter that familiar softness that can (at times) be Merlot’s own worst enemy. That voluptuousness that so easily goes to seed. But here it’s soft yet taut. Fleshy, springy, grabbable without being podgy. Very, very appealing.

Deliciously fruity, it’s backed up (and balanced) with a thrilling savagery. A coffee bitterness, a sprightly, sexy little kick of petulance. And a dab of oak immediately to caress away the resultant bruise.

Verdict

Interesting that this (I’ll come out and say it: the best Naked Wine I’ve drunk so far) is perhaps one I was least fussed to try. I wasn’t closed-minded, but wondered whether I might be in for a pubbish tutti-frutti Merlot.

But if I found a pub that sold this, I’d be able to stop hanging around in poncy wine bars.

(Who am I kidding? I’d still hang around in poncy wine bars.)

And to get the full five stars? I’d like a little more presence in the gob, I think. I’m a greedy bugger for presence in the gob, though. And let’s not quibble. Because this here is one Merlot that can grab onto my ankles any day of the week.

Rating **** (4 stars)
ABV 13.5%
Price £10.99 from Naked Wines (£7.33 to members)

Cave de Beblenheim, Grafenreben Riesling review

… will lower you into the most blissful vat of acid a secret agent could wish for

A bottle of Alsace Riesling from Cave de Beblenheim: simple label, two-colour print with crest

Sometimes you need acid. Perhaps it’s because you’ve just captured that irritatingly smooth secret agent who’s trying to foil your plan to TAKE OVER THE WORLD — and you’ve decided that the most risk-free and tax-efficient option is to lower him slowly into a seething vat of corrosive liquid. I mean, what could go wrong?

Or perhaps it’s because you’re a foreign chap called Beblenheim (in which case — could I just say? — you’re already well-equipped to be a fuck-on awesome supervillain) and you want to make a damn fine Riesling*.

Yes. Acid.

Because this wine is candied, fruited, plump. Both literally and metaphorically golden, it’s a shimmering fat jewel of flavour. Fruit and flowers. A heady brew that’s almost indecently aromatic.

And this is where the acid comes in. Not like Bond crashing vengefully through reinforced glass; no, like Bond deftly insinuating himself into the bed of a sultry maiden.

Its suave acidity is absolutely the key to this wine. A suave acidity that checks (without obscuring) those floral excesses with a razor cut of clean, bracing sharpness. Leave it lingering in your mouth for as long as you like, revelling in the luxuriant texture, the steadfast refusal to descend into banal sugar. And when you swallow, the flavours slip away without a belch, without a rasp, without a jolt.

Verdict

This, my chums, is what they mean when they say ‘balance’. A perfect alignment of classicist austerity and romantic ebullience. Reason and emotion.

A balanced wine (like a balanced person) doesn’t start off great yet gradually begin to irritate; no, it’s consistently good company for your gob. Meaning the last swig is just as beguiling as the first.

So, yeah. Old Parn has been beguiled by Beblenheim. Let’s just hope it’s not some kind of sophisticated honeytrap.

Rating ★★★★ (4 stars)
ABV 12%
Price £8.82 from Waitrose Wine
* Okay, okay, so there may not actually be a bloke called Beblenheim, as this seems to be a cooperative winery. But indulge me, won’t you?

Musar Jeune Rouge 2008 review

… is like inhaling the contents of a bouquet garni. In a damned good way, let me add

Macro closeup of the label of a bottle of Musar Jeune from Chateau Musar in Lebanon. Cursive typeface adorns a white label

Whoa!

Crack this bad boy open and it’s like you just inhaled the contents of your herb rack.

Sometimes a wino will say that something smells herby — then you smell it yourself and go, ‘Eh? Wot? Smells o’ bloody wine to me!’ So let me assure you: this really does smell herby. It’s actually a lot like walking into one of those marvellously crowded little shops that sell every oriental spice, herb and seasoning you could imagine (and several you couldn’t). It even has that same slight headachey mustiness to it.

But, c’mon. Get it in your gob, why don’t you?

Because it’s good. It’s very good. The depth of the herbs is there, yeah, along with a sizzling tingle of pepper. Then the spices come through: cinnamon, nutmeg and the gang.

So far you’d be forgiven for thinking it all sounds pretty gruff.

… But it’s actually remarkably soft and accessible. Fresh (unbaked), with a fair bit of fruit — cooked plum, red fruits, blueberry — as well as wood, chocolate, aniseed on the finish. Rather goddarn rounded, don’t y’know?

Verdict

I’d buy this like a fucking shot. I mean, look at the price. It’s full, generous, balanced, long, rewarding.

Very good indeed.

Rating ★★★★ (4 stars)
ABV 13%
Price £8.60 from Summertown Wine Cafe (buy in store only), £9.25 from Bakers & Larners

Act Five Shiraz Viognier 2009 review

… is an alluringly androgynous wine — the result of some white grape on red grape action — and is bloody nice for it

A bottle of Act Five in the sunshine, on a wooden garden table

Well, here was a nifty young wine. A slinkily androgynous wine. One where you’re pretty sure you’ve got its gender right — but there remains that frisson of doubt.

This androgyny comes courtesy of the blend, which combines the grape varieties Shiraz and Viognier*. Yeah: Viognier. So what we have is some white grape on red grape action. If we were in Othello, some tedious fart called Brabantio would be going mental at this interracial tupping.

It is my hope that today’s attitudes will be less blinkered.

Anyhow (Jesus Christ, Parn, get to the point) it may just be that my tastebuds were so frigging grateful for anything in the aftermath of this week’s Le Froglet horrors — but I thought this was a bloody good wine. A bloody alluring wine.

It’s really full, properly blasting out that peppery blackcurrant POWER that you’d expect of our pal Shiraz. There’s some oak in there, some earthy bitterness, some toasty (um) toastiness. This (in other words) is the part of the wine that’s strapping and crocodile-wrestling as you like.

But, oh boy, it’s all lifted thanks to a (most seductive) lightness. A freshness. A heady breath of spring breezes across fecund meadows.

This same freshness is fucking transformative, what’s more, when it comes to the blackcurrant. Because (to my gob, anyhow) full-on dark fruit flavours can get a mite tedious and two-dimensional, despite their initial appeal. But this wine sacrifices nothing of the intensity of the fruit, yet renders it complex, subtly floral, light. Blackcurrant and elderflower.

Fuck yeah.

Verdict

Okay, yes, so I liked this wine rather a lot. I liked it even more when I found out that it costs only goddamn £7.49. £7.49, by the risen Christ! (Yes, Parn can do topical expletives too.)

It tastes a good bit more expensive than that.

So if you haven’t yet recognised the allure of a subtle bit of vinous gender-bending, I implore you to get with the programme, you dull old Brabantio, you.

Rating **** (4 stars)
ABV 14%
Price £7.49 from Avery’s
* For those who like to know this stuff, Syrah + Viognier is the signature combo of the celebrated Cote-Rotie region of France.

Pecorino Colline Pescaresi, 2009, Contesa

… will make your stomach purr with delicious minerality, lissom-lingering fruits and distant cream

A bottle of Contesa Pecorino. Simple white label with a golden crest and clean, elegant typography

Here’s a wine from made from pecorino.

No, not the cheese. You wag.

For it seems that Pecorino is also a white grape variety. A white grape variety that (on the evidence of this example by Contesa) makes dry, deliciously mineral-laced wine.

Yeah, mineral. As opposed, I guess, to animal or vegetable. Contesa’s Pecorino has a stony, chalky dryness. But not — let me reassure you, if that all sounds a bit gullet-rasping — in a harsh way. Because it’s also poised, rounded, cultivated. So more of a meticulously-kept gravel bed than a heap of shale. There’s some cream, some distant fruit in there as the flavours linger (and linger they do, most lissomely) in your mouth.

Verdict

I love mineral-dry whites. They achieve a mouthwatering, stomach-purring appetiser effect — yet need not be excessively acidic. This is a very nice wine to drink before dinner.

And during dinner. And after dinner.

I’m a suggestible old fart, what’s more, so I can’t help but taste — after all — a certain pecorino cheese thing. Yeah, deride me, sure. But there is something about that intensely flavoured, appetising dryness than reminds me of snaffling wafer slices of pecorino, cut from a freshly opened block, when you’re meant to be grating it.

Not that I ever do that.

Rating ★★★★ (4 stars)
ABV 13%
Price £9.95 from The Wine Society

Domaine de Mourchon 2005, Seguret, Cotes du Rhone Villages

… will seduce you with a heady waft of fruit, then pull you up, slap you and strap you, look you fucking DEAD in the eye and ask you: ‘Do you think you’re hard enough?’

A closeup of the label of a bottle of Domaine de Mourchon. Relatively modern label design for a Cotes du Rhone, typographic emphasis

I’m sorry, but that was fucking amazing.

Rare, rare — fuck, practically endangered — sirloin steak. Meat so tender its fibres splay apart like fishnet. And a big, chunky Cotes du Rhone. Nothing too venerable or refined — still young enough to play loud music and pout when its parents come and tell it to quiet down.

Something avec spunk.

And Domaine de Mourchon’s got spunk. At the same time as being rather complex. Sure, it may play loud music, but it also surreptitiously reads William Blake and watches film noir.

The combination of spunk and complexity doesn’t always come cheap. But I don’t begrudge a sodding penny of the £14.50 I spent on this wine; nor of the £5 I spent on 200g of the best steak I could find. So take your ‘Dine in for £10’, Marks & Spencer, and stuff it up the rotisserie-ready orifice of your choice. Because I’m dining in for £20 — yeah, just me — and it’s STILL A PRIVILEGE.

Yeah, the wine. That’s what we were talking about, wasn’t it?

So — it’s got that initial jubilant fanfare of blackcurrant that you so often find in new world wines from these grapes (Domaine de Mourchon is made from 60% grenache; 40% syrah) — but, here, that gleeful fruit isn’t allowed to dominate. First of all it’s softened up by a delicious — almost bready — savouriness. Then it’s wrestled to the ground by stern tannins, their muscles laced with dark veins of pepper, spice, wood, leather.

And all the while there’s an alluring slip of aniseed waifing around, smiling coyly, just to confuse you.

Verdict

I don’t know about you, but I go weak and jibbly for wines that seduce me with a heady waft of fruit, then pull me up, slap me and strap me, look me fucking dead in the eye and ask me if I reckon I’m hard enough.

I suspect I’m not hard enough.

But get enough blood-oozing red meat and Domaine de Mourchon down my gullet and I might start to think I am.

Rating ★★★★ (4 stars)
ABV 14.5%
Price £14.50 from The Wine Society

Le Fraghe 2009, Bardolino Review

… will light up all the buzzers on the pinball table of your palate. For under a tenner.

Closeup of the lettering on a bottle of Le Fraghe, an Italian red wineLe Fraghe. A wee blend of two grapes: corvina and rondinella. From somewhere between Venice and Milan.

And if it has Venice’s sunset-laced romance, it also has Milan’s fashionable, metropolitan elegance.

It’s gentle, toned, soft, pristine.

And it’s rather beautiful.

In your mouth, it’s full — yet light, elegant. There’s some subdued tannin; some savouriness, some meaty depth, some spice, liquorice. And a sustained, beautifully controlled diminuendo to finish.

Stick your snout in there and inhale the cooked (but not jammy) red fruits of a summer pudding.

Verdict

I really enjoyed La Fraghe. It’s a wine that lights up all the buzzers on the pinball table of your palate. And I’d say it’s pretty damn good value for under a tenner.

Crack it out with food — nothing too honky or flavoursome, mind; probably lighter meats, fish — simple, honest ingredients, please; simply, honestly cooked …

… and (pooph!) you’re right there between Venice and Milan.

Rating ???? (4 stars)
ABV 12%
Price £8.95 from The Wine Society

d’Arenberg Red Ochre Review

… is an absolute pleasure to hang out with: excellent company. No fart jokes.

The label of a bottle of d'Arenberg Red Ochre, with distinctive organge/cream/blue colour bands and the d'Arenberg crest

I’d rather gladly drink a lot of d’Arenberg’s Red Ochre. I mean, I’d like to think I’d stop before doing myself a mischief. But one never can tell when one’s dealing with such a happy, carefree wine. Such a friendly, obliging wine.

For our mate Red Ochre is good company. He’s a pleasure to hang out with. He won’t do anything strange and unpredictable that might cause an awkward silence and nervous attempts to change the subject. He won’t start talking about politics, or making fart jokes. No, he’ll just help you have a good time.

So what’s he like, one-to-one?

A bit of wood, a bit of caramel, a lot of fruit. But not garish fruit. Some sharpness there — like an unsweetened bowl of fresh raspberries (so not unpleasant, then). Depth and complexity (and some tannin) to match the fruit. And, on your tongue, like silk.

On your schnoz, meanwhile, he’s a crowd-pleaser: a big fruity old dose of blackcurrant. Mouthwatering. He smells good. Not especially complex or blokey. Maybe (whisper it) rather metrosexual, actually. But good, damn it.

Verdict

I don’t think this wine (yes, yes, it is a wine, not a person. You’d almost forgotten — hadn’t you? — so evocative was my prose) is setting out to be tremendously multifaceted, shimmeringly complex. It’s setting out to be very, very good to drink. And I’m very happy with that, thanks.

It’s towards the accessible side of the spectrum (with an accessible kind of price, too), but without any of the sickliness, the formulaicism, the infantilisation that too often goes with that territory. It’s very easy to enjoy, but also rather rewarding, with unexpected depths. Brilliant value.

You can spend a whole evening in its company, in other words, without getting bored. And without a single fart joke, I guarantee.

Rating ★★★★ (4 stars)
ABV 14%
Price £7.25 from The Wine Society

Churchill’s 20 Years Old Tawny Port Review

… will dose up your old-mannish port prejudices with a dose of ketamine (and a creamy macadamia chaser)

Looking up at a bottle of Churchill's Port. The label's typography is minimal and elegant

Doesn’t port make you think of big old chaps with gouty feet and snuff-reddened noses?

(Especially when the stuff’s made by an outfit called Churchill’s, for god’s sake.)

Well. Well. Cast aside your old bloke. Kick away his walking stick, crush his pipe and torch his slippers. Because this port is as sprightly as fuck.

In the front of your mouth, there’s a huge burst of bright, sweet, ruby cherry. It glitters. Hell, it’s practically spangly. If this is a codger, it’s a codger on ketamine.

But don’t dismiss it as all spangle; wait a couple of seconds as it sinks and spreads in your mouth like butter. Yum, sweet butter. Toasted butter, nutty butter. Macadamia, almond. Cream.

The box in which my bottle of Churchill's Tawny Port came. A rare example of modern, tasteful wine packaging. The box features striking, high-contrast black and white aerial photography of vineyards to create a brilliant patchwork of texturesAnd before I plough on into the ‘Verdict’ section, may I take a moment to commend the packaging? As you can see above, the label is a model of elegant, typographic minimalism (a few lovely details, such as the apostrophe of Churchill’s). And the whole thing came in a very nicely designed box, left. Beautifully conceived and executed, in my opinion, managing to be both modern and tasteful. Don’t you think?

Verdict

So, yes, as I was saying, allow this port to spread and bloom in your mouth: it’s very long-lived (the only respect in which it could be said to be codgerly). It’s also invigorating and vibrant — yet elegant and poised.

Which makes it the freshest, liveliest, most three dimensional port I’ve had in a good long while.

And if you don’t like the idea of being surprised by port, perhaps it’s you who’s getting a bit doddery.

Rating ★★★★ (4 stars)
ABV 19.5%
Price £24.99 from Oddbins

The Wine Society’s Vin de Pays des Cotes de Gascogne

… is worth knocking over a couple of old ladies for, should you happen to see it at a party

Closeup of the label of a bottle of Cotes de Gascogne from The Wine Society. The label has a picture of a row of sunflowers.

Wine served at post-concert receptions. Not necessarily the most pre-possessing of notions.

I found myself in the Cathedral of Christ Church College on Saturday — for an evening of sacred English choral polyphony from the 16th century, courtesy of I Dedicati, an all-male vocal ensemble directed by Greg Skidmore.

(Now, you may think that sounds niche. However, according to the programme, it offered an opportunity to combine undiscovered gems with ‘very well known’ items of repertoire. There are few places in the world besides Oxford, I humbly submit, in which any piece of sacred English choral polyphony from the 16th century could conceivably be described as ‘well known’.)

Anyhow, yes. I digress. The concert (since you were wondering) was excellent.

… and the post-concert drinks were excellent, too. Not only because they gave me a chance to catch up with the fine old bass who’d invited me, but also because our hosts were serving The Wine Society’s Vin de Pays des Cotes de Gascogne.

As soon as I saw the label, I realised the aforementioned fine old bass wasn’t going to be the only dear friend with whom I’d be reunited that night. Indeed, in my enthusiasm to snaffle a glass I may have knocked over an old lady or two. Never mind. See, I’ve had this wine before. And it’s very, very good.

And the kicker? It’s £5.50. Let me spell that out. FIVE AND A HALF OF YOUR BRITISH POUNDS.

Being relatively low in alcohol (10.5%) it’s perfect for convivial quaffing. It’s clean and verdant. A snap of spring in your mouth. Like crunching raw fresh peas straight from the pod.

And it goes down a treat, let me tell you. Whilst not perhaps quite as swooningly polyphonic as the repertoire of I Dedicati, it is a delight to drink. And is, I daresay, destined to appeal to a rather broader audience.

So should you find yourself throwing a party — for Oxonian polyphonists or otherwise — look no further.

Rating ****
ABV 10.5%
Price £5.50 from The Wine Society