Young & Crazy

There are several disadvantages to drinking red wine. You’re familiar, no doubt, with many; I shalln’t try your patience and morale by enumerating them. I like to think that we go into this (this, y’know, drinking) with our collective eyes open as to its downsides. But it turns out there are risks, dear reader, of which even I was unaware.

Let me take you back to a Friday night some time ago. A Friday night that came at the end of a day spent working my mouse-finger to the bone, selling cheap shit to idiots on the internet.

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Parn Essentials: The Society’s Corbières

An essential is all very well. But is it more than an essential? Is it, you may ask, the kind of wine to engender obsessive, bewildering, blind devotion bordering on cultism? Is it, you ask me, paraphrasing to ensure I understand your query, the kind of wine about which one might full-throatedly bellow a simplistic refrain based upon its name?

‘Ooooooooah! Society’s Corbières!’

Continue reading “Parn Essentials: The Society’s Corbières”

Booze of the Week: Jameson’s Whiskey

The confluence of aesthetic principles and undergraduate pretension? Jameson’s Irish Whiskey, apparently. God knows why; I suppose you’ll have to read my Booze of the Week to find out.

I don’t think we should underestimate the role nostalgia plays in our alcoholic predilections. We’re all just walking bags of meat and memories, after all.

Continue reading “Booze of the Week: Jameson’s Whiskey”

Cellophanity, Putin-pleasuring and Pinot Gris

A significant portion of which is devoted to a spirited ‘crie de coeur’ on the subject of ready meal packaging, and most of the rest of which contemplates distasteful sexual activities practised upon Russian politicians. I’m up-front about this stuff, y’know.

Bottle of Hugel Pinot Gris and some oven ready meal instructions‘Remove cardboard sleeve and peel away plastic film.’

It sounds simple enough, doesn’t it? But, honestly, they may as well have said, ‘Remove cardboard sleeve and give Vladimir Putin a blowjob’, for all the chance I have of accomplishing their instruction with any modicum of ease or pleasure.

I’ve written before about my intense dislike of cellophane that fails grotesquely in its sole goddamn interaction with the customer. But that doesn’t mean I can’t write again. I mean, Christ. Collectively, think of the time humanity wastes on attempting to peel off a plastic seal and instead peeling off a ludicrous thread of plastic from around its rim, repeating this process at each of the carton’s four corners, before (defeated, humiliated) grabbing a knife and slashing psychopathically at the bastard cellophane until our collective shirts are spattered with ragu sauce that looks for all the world like blood.

Time that could be put to better use in — oh, I don’t know — curing cancer or eradicating poverty or watching the latest episode of Sherlock.

Oh, that Sherlock. He wears a nice dressing gown, doesn’t he? (Declare an interest? Me? Piss off.)

But don’t just think of the time. Think of the fucking psychological despoliation wreaked by this supposedly peelable cellophane. Whole generations demoralised by their inability efficiently and rapidly to prepare a godforsaken ready meal (the very words themselves a hollow mockery — for this now ungrippably-cellophanated carton in front of me couldn’t be any less ready); to follow even the unglamorous preparatory instruction — mere prelude to the complex matrix of oven types and temperatures, and frozen vs chilled states. When we see growth rates in the developed world stalling and purchases of pre-prepared food rising, do we not pause to consider the relationship between the two?

JUST AS SODDING WELL, THEN, that I have a half-bottle of Hugel Pinot Gris, 2010 (The Wine Society, £6.95) to calm my cellophane-rage. A sluicing of very pleasant-tasting alcohol to numb my brain to the injustices and indignities of the food packaging regime — analogous, one might venture, to an autocrat’s cynical pampering of an emerging middle class with the finite proceeds of a natural gas boom whose days are numbered.

SEE WHAT I DID, THERE? YOU MIGHT HAVE MISSED IT, BECAUSE IT WAS QUITE SUBTLE. RE-READ THE ABOVE PARAGRAPH IF YOU’RE NOT SURE.

It’s nice, Hugel Pinot Gris. Of the Wine Society’s praiseworthy array of half bottles (several of which I’ve written about already), it’s one of my favourites. I like the way it lies, deliciously inert (like a coma coated in syrup), in your mouth. The way it rings out with fruit, but leaves your tongue free of that ganky aftertaste of the sugary muck that often gets called ‘fruity’.

(Speaking of which — fuck. When you’re pretty much living off wine from TWS and Waitrose, you sometimes forget just how goddamn withering a bad white wine can be. I was in a pub, the other week, and forgot myself to the degree that I actually ordered a glass of white wine — somehow extrapolating from the fact that most wine I drink is quite nice a kind of rule that all wine I choose to drink will therefore be nice. A rule whose inherent fallacy was pitilessly exposed by said pub and its vinous offering.)

Hmm. Somewhere between talking about presidential fellatio and rotten pub wine, I was doing a kind of wine review, there, wasn’t I? Christ alive. Sorry about that. We’ve dispensed, haven’t we, you and I?, with any kind of flimsy, cellophane-esque pretence that you’re here for in-depth or nuanced alcoholic commentary. The commentary of an alcoholic, maybe. But not alcoholic commentary. So let’s leave it at this. Hugel Pinot Gris. Easy to open (if you have a corkscrew). Doesn’t cause you to flail around with a kitchen knife. And definitely tastes better than my ready meal.

Not to mention Putin.

A Pinotage that’s all fruit and curves and perpetual smiling

Manley Estate’s Pinotage is all fruit and soft curves and perpetual smiling — and I can’t help wishing it’d make me work a bit harder

Closeup of the Manley Estate label — fairly traditional line drawing of vineyardManley, it’s not you; it’s me. You’re great. Really, I mean it. It’s just — well — you’re just too nice.

I like wines that make me work a bit. Not a lot, you understand (I’m way too lazy for that) — but a tad. And there’s something about Manley Estate’s Pinotage that is a bit too easy. It puts itself on a plate for me. Not, you understand, literally (although that would be fine: I’m happy to take my wine from whatever receptacle presents itself), but, y’know, metaphorically.

That’s not to say Manley is bad. It’s really not at all. It’s all fruit and soft curves and perpetual smiling. I’d just like to see what it looks like with a frown on its face, too.

Christ, enough with the metaphors, Parn.

So, yeah. Fine. Easy to drink. Quite full. Smiley. Could do with more brusqueness. A tad expensive. But fine. Nice.

Oh Manley. When this is all over, I do hope we can still be friends.

This bottle was received as a free sample from Naked Wines

Rating ?? 2 stars (fair)
Region Tulbagh
Grape Pinotage
ABV 14.5%
Price The 2009 is sold out, but the 2010 costs £13.99 from Naked Wines (£10.49 for members)

A Csárdás in a glass — Hilltop Hungarian White

… is a tantalising, gob-watering Csárdás of a wine that lobs a grenade of tropicality — mandarins, lychees, peaches, the kinds of fruits that ooze when you squidge them — that follows up with an aftershock of dry, icy citrus

Closeup of the purple label of this Hungarian wine. Simple typographic design.

Here’s a happy, carefree, unselfconscious dance of a wine. A Csárdás. A whooping whirligig of fruit and flavour and life. Like the best dances, it’s got energy, momentum. Which might be just an absurdly pretentious way of saying you can get through a bottle of this stuff pretty damn quickly; pretty damn happily.

Into your cavernous gob, Hilltop Estates Cserszegi F?szeres lobs a grenade of tropicality — mandarins, lychees, peaches, the kinds of fruits that ooze when you squidge them — that follows up with an aftershock of dry, icy citrus. In response, your poor mouth can only conjure up bucketloads of saliva like a really shit magician.

ROLL UP! ROLL UP! SEE THE AMAZING DRIBBLE-CONJURURING MOUTH! BE AMAZED, OR YOUR MONEY BACK IN FULL!

This — listen, now, because this really is amazing — this tantalising, gob-watering Csárdás of a wine is £5.75. It’s only 11% ABV. It’s outstanding for the price, and I’ll be ordering more. Serve it up to dinner-party guests as an aperitif and make them guess where it’s from. Indulge yourself in innumerable hungry/Hungary puns. Go on! Tease ’em! IT WILL BE FUN.

Almost as much fun as the dance.

Wines like this are the reason I’m a member of the Wine Society. Exciting, unexpected, and the kind of thing most supermarkets would dismiss with a peremptory flick of the hand.

Well — joke’s on them. £5.75, you daft plonkers. £5.75!

Time to get dancing.

Rating ???? 4 stars (very good)
Region Hungary
Grape Cserszegi F?szeres
ABV 11%
Price £5.75 from The Wine Society

Guest post: The Ubiquity Of Fizz

In which Old Parn’s first guest blogger, Elly Tams, has her knickers charmed off by Prosecco

Closeup of the simple green label of a bottle of San Leo Prosecco

This is a grand moment: the first guest blogpost on Old Parn. Um, on the blog, I mean. Not actually on me.

Your blogger today is Elly Tams. Elly is a writer; her debut novella Scribbling On Foucault’s Walls wonders what would have happened if Michel Foucault the homosexual French philosopher had in fact had a daughter. I encountered Elly (also known as Quiet Riot Girl) on Twitter, and I liked her tweets straight away. I liked the way she spoke about her area of interest (gender/sexuality etc) with conviction, directness and simplicity. The way she didn’t hide behind abstract nouns and academic terminology.

Turns out Elly likes wine. So I asked her if she’d write a guest post. And she did. Huzzah…

***

Party Like It’s 1999

I blame the Millenium. Before the 31st of December 1999, champagne was reserved for special occasions. I mean REALLY special. Weddings, coronations, Formula One racing, Number One Singles (remember them?), losing your virginity, winning the premium bonds. But ever since that hyped-up, arbitrary, potentially computer-destroying, slightly tacky otherwise ordinary New Year’s Eve 12 years ago, the world has been awash with fizzy wine. I realised the definition of ‘celebration’ was getting a bit loose when I bought a bottle of cava to celebrate the release of my favourite band’s latest album. It’s a slippery slope.

This ubiquity of fizz has meant I have become rather familiar with the genre. Not with the crème de la crème, you understand. I still don’t know the difference between a Dom Perignon and a Crystal. The cheap stuff is my area. My favourite part of a good friend’s wedding rigmarole was a few weeks before the big day, when we did a fizzy wine tasting at her place. There is a fine line between a good cheap bottle of fizz and an awful one (hint: the awful ones seem to be trying to strip off the back of your throat and the hangovers come with headaches from hell).

If you don’t have the time or the liver capacity to do the research, my advice for finding a reliable, reasonably priced sparkling wine is simple. The answer is Prosecco.

To avoid the embarrassment of me not knowing anything about grape varieties or regions or acidity or any of the technical stuff that wine buffs dazzle us with, I will distract you with a metaphor. If all the fizzy wines were in a line up and you were choosing which one to go on a date with, Prosecco might be the quieter one. It would be handsome and well-dressed in an understated way. It would not be trying too hard to impress, because it wouldn’t need to. It would be self-assured and confident in its qualities. It would be a mistake to pass over it for the more flashy contenders.

Prosecco charmed my knickers off for the first time in an Italian bar and restaurant in Sheffield a few years ago. I will admit it. The first thing that attracted me to it was the price. Cheaper than champagne but tasting just as good – in many cases better – it has been a firm favourite ever since. The best deals are at supermarkets. Recently I found some San Leo prosecco at Waitrose for £6.95, reduced from £10.44. Four bottles later I can confirm it is a classic. I prefer brut, and this one is indeed very dry but the lovely thing about prosecco is after the first couple of bottles – I mean glasses – even the driest versions become smooth and creamy to drink.

Part of me wishes I’d bought the whole lot of reduced San Leo when it was on offer. But another, more sensible, and probably more romantic part doesn’t. Because if any type of wine can keep the experience of quaffing fizz special, it’s prosecco.

***

Thanks, Elly. I bought a mini-bottle of the San Leo myself. Purely for, um, research, you understand. And she’s right: it’s damn pleasant, accessible, celebratory stuff.

If you yourself have a wine that you’d like to talk about, do get in touch, won’t you?

Meanwhile, here’s a link to Elly’s blog, Quiet Riot Girl, and her Twitter feed.

Battery Chardonnay or Jane Austen Chardonnay?

… may not possess Austen-esque poise, but it has manners, and doesn’t overwhelm and disgust you with noxious belching

Closeup of the label of a bottle of Stephen Miller Chardonnay, complete with typography and logo — a bearded man's face, complete with hat

Chardonnay’s a beautiful, beautiful grape. Matt Walls got it right when he compared it to Farrah Fawcett, Beyonce, Scarlett Johansson and Leonardo DiCaprio.

But all too often, Chardonnay is treated shabbily. The result is a battery chicken of a wine, all pumped up and fattened and flabby and morally offensive.

I’ve spoken to so, so many people (of all ages and degrees of wine knowledge) who’ve said that they ‘don’t like Chardonnay’. Because they’ve only knowingly tasted battery Chardonnay. And fair enough. Because battery Chardonnay is fucking heinous stuff. Swollen, belching, flabby and gaudy, the kind of wine that yells out to its mates then falls over in the gutter. Where it belongs.

So when I see a cheapish Chardonnay from the new world, I hope I’m not in for a run-in with one of these characters. Fortunately, Stephen Millier’s Chardonnay isn’t one; it’s an altogether more demure affair. Not as much as some (Chardonnay is capable of Austen-esque poise), but it’s got manners, and doesn’t overwhelm and disgust you with a gigantic belch of alcohol. In fact, if you chill it down decently (perhaps a bit more than you really ought to chill chardonnay), it’s quite nimble and sprightly in the old gob.

Chardonnay can, of course, do quite a lot more than not be disgusting. And I realise that, as recommendations go, this is scarcely a clarion-call. But so it goes. If you’re a Naked Wines member, you fancy Chardonnay, and you have a budget of £5.99, I’d say you should give this’n a go.

If you’re not a member, save your £7.99 and put it towards a copy of Pride & Prejudice.

Rating ★★★ 3 stars (good)
Grape Chardonnay
Region California
ABV 13%
Price £7.99 from Naked Wines (£5.99 for members)

A wine that’s all about blackcurrant

… is basically just like my parents’ blackcurrant jelly

Closeup of the label of this bottle of Stephen Miller Shiraz. Typography and line-drawing logo of bearded man in a hatMy clever old parents make blackcurrant jelly. Darker, less translucent than those confected supermarket ones, it smells like the essence of the fruit. Intense and sharp, it stains your toast black-red.

Stephen Miller’s Shiraz smells almost exactly like my parents’ blackcurrant jelly. It tastes vaguely similar, too. Once your tastebuds have vaulted over the towering wall of blackcurrant, there’s not too much else to talk about: it’s a relatively straightforward kind of wine. It has a whack of alcohol — and there’s a smear of liquorice in there too — and the whole shaboddle hangs together pretty well. But, really, it’s all about the blackcurrants. Which is all very nice — but Stephen Miller’s Shiraz makes for an altogether less suitable (and socially acceptable) breakfast accompaniment than does my parents’ jelly.

So, altogether, I’d say it’s fun enough, y’know. The kind of wine that even people who don’t like wine much would probably drink relatively happily. But — for me — it’s a smidgin too intense in its fruitiness. In a manner that I hope won’t cause too many parallels to be drawn between myself and George Osborne, I’d prefer a bit more austerity.

Rating ★★★ 3 stars (good — if you like blackcurrants)
Grape Shiraz
Region California
ABV 13.5%
Price Was £5.99 to me as a Naked Wines member. But it’s sold out now, I’m afraid.

A loving 70s housewife of a wine

… has a picture of a horse on it

A bottle of yellow-labelled Arabella (stock image)Slightly too much bosh when you first slug Arabella into your gob — but other than that, she’s pretty nice. Especially if you don’t chill the pants off her, but instead do her the courtesy of drinking her only slightly chilled. Then you get all the luscious tinned fruit she’s been saving up for you like a loving 70s housewife, fearful of imminent nuclear apocalypse.

Mmm. Tinned fruit.

Pear drops crop up in there, too (though quite as dramatically as we’ve seen elsewhere). Rather nice, actually.

And it’s got a picture of a horse on it.

Um. That’s all I’ve got to say. Can I go and play in the torrential rain now, please?

Rating ??? 3 stars (good)
Grape Chenin Blanc
Region South Africa
ABV 12%
Price £8.49 from Naked Wines; £6.25 if you’re a member

Pedro Ximenez Don Marcelo Jerez review

… is delicious, extraordinary and quite goddamn sexy. Even if it *does* taste of raisins. Because wrinkles can be sexy, too.

A dark brown bottle of Pedro Ximenez sherry, with out of focus daffodils behindOkay. It’s Valentine’s Day. And in celebration thereof, what better alcoholic beverage than one that tastes MIND-BLOWINGLY STRONGLY of raisins? — thereby reminding you that whilst you may be taut-skinned young grapes right now, one day, you’ll both be shrunken and wrinkly.

BUT YOU’LL STILL TASTE LOVELY.

(Realism beats Romance every time, eh? Just ask TS Eliot if you’re unsure.)

Anyway, I maintain that this is a Romantic wine. It’s big and swingeing and unashamed. It scatters your bed with petals and serenades you with sentiment-sodden ballads. And tenderly crams handful after handful of raisins into your gob.

It is sweet. Really, really, really sweet. Even as you’re pouring it, you’re thinking of molasses and treacle and whatever other viscous liquids you might find appealing. And it’s almost impossibly rich and dark when you get it into your mouth.

It’s hard to believe, in fact, that something can be as sweet as this and still seem, y’know, even vaguely grown-up. Especially when drinking it puts you in mind of cramming your stubby fingers into those little boxes of Sunmaid to extricate the pieces of fruit that’d wedged themselves right into the bottom corners. But it is grown up. Possibly because it’s so outrageously goddamn decadent-tasting. And also because it’s not sickly.

Or, at least — and here, once again, the raisin likeness holds — it’s not sickly unless one consumes it to excess.

In summary: delicious, extraordinary and quite goddamn sexy.

A small terracotta dish with ice cream, scattered with dried rose petals

Oh. And may I leave you with a ludicrously specific serving suggestion? Put a glass of this alongside a bowl of rosewater and cardamom ice-cream. Buy the dried rose petals from a nice man in the Iranian deli on High Street Kensington. He may even give you a free biscuit. Then simultaneously boast and congratulate yourself for doing all of the above by photographing it and posting it on your silly little blog.

You pathetic specimen.

Rating ★★★★ 4 stars (very good)
Region Jerez
Grape Pedro Ximenez
ABV 16%
Price I got mine from The Wine Society some time ago for about £9 (half bottle). But it ain’t there no more, I’m afraid. Sozamonia.

Bonterra Chardonnay 2009 review

… is the kind of wine that probably wouldn’t mind holding onto your parcels for a day or two

(For the background to the following, read the previous post, ‘When Clemmie Misses Her Train’.)

Feeling unaccountably like the boy waiting outside the Headmaster’s office, I found myself standing at the door to my neighbour’s flat.

Pull yourself together, Parnell, I murmured — and administered a falsely assertive rap upon the door.

(When I say ‘rap’, I mean in the sense of ‘knock’ or ‘tap’. Not in the sense of performing a piece of urban spoken music. Though perhaps I should have explored this kind of rap as an alternative means by which to announce my presence. It might have allowed me to retain the initiative a little longer in the ensuing encounter.)

The door swung open. From behind it, a disembodied voice: ‘Do come in.’

Now, reader, let me tell you this: I was all prepared for a doorstep exchange, here. And this invitation to enter wrongfooted me straight away. But what’s a chap to do? I couldn’t very well reply, ‘Um, no, I’d rather conduct this conversation in public view’, now, could I?

So in I went.

‘Don’t you want your parcel?’

This struck me as a needlessly adversarial opening to our conversation.

‘Oh, um, yes please,’ I replied, somewhat meekly.

‘Well why didn’t you pick it up? It’s been here for two days!’

Oh yikes.

‘Gosh — I’m very sorry: it was quite late when I came in last night…’ (Yes, I have a tendency to use expressions such as ‘gosh’ in such situations. I fondly nurture the delusion that it makes me seem charming and socially assured.)

‘But what about the night before? Why didn’t you pick it up then?’

This, I began to suspect, is what intense police interrogation feels like. I began to be confused, to lose track of my cover story. ‘Um… I…’

‘If you’d prefer, I won’t take your parcels. Would you prefer that?’

At this point, I’m sort of stammering — so entirely disorientated am I by the fierce barrage of accusatory questions emanating from this small 98-year-old woman.

‘Um… I don’t know. I don’t want to cause you any trouble.’

‘Well, pick up your parcels! I don’t mind taking them in, but I don’t want the responsibility of keeping them for days.’

(Responsibility indeed.)

‘I’m sorry.’

‘Well. That’s all. You can go now.’

***

A bottle of Bonterra, label with minimalist floral illustrations and handwritten text. In the background a second bottle, out of focusAfter that, as you may well imagine, I needed some kind of alcoholic bracer. And that’s where Bonterra came in.

Bonterra’s is a fruity, a creamy, a taut Chardonnay. While it’s far from self-effacing, there’s none of that wenchy quality that New World Chardonnay can have. There’s some pepper in there, and it’s altogether rather nice — sprightly but full.

What’s more, relative to other chardonnays hailing from its part of the world, it has a pleasant lightness to it. A certain easygoing quality.

The kind of wine, in other words, that probably wouldn’t mind holding onto your parcels for a day or two.

Rating ★★★ 3 stars (good)
Grape Chardonnay
Region Mendocino Valley, California
ABV 13.5%
Price £10.44 from Waitrose, £10.99 from Majestic

Jurancon Sec Chant des Vignes, Domaine Cauhapé 2010 review

… doesn’t play remotely hard to get: extrovert, fruit-laden, immediate

A closeup of the label of this Jurancon Sec half bottle from The Wine SocietyThis Jurancon — made from the outstandingly named Gros Manseng grape — has that grassy, springy, verdant burst that you associate with Sauvignon Blanc. And, like Sauv Blanc, it’s mightily accessible. A garden-friendly, pub-friendly, gob-friendly kind of wine. Not remotely playing hard to get, it’s extrovert, fruit-laden, immediate.

But here’s where it beats the pub Sauv Blancs. Yes, it’s got that front-of-mouth accessibility. But it stays in balance. It doesn’t gank up your mouth or descend into sugary blandness. Instead, it’s taut and toned throughout. Balanced, yeah?

Good, simple stuff. And, yes, I’m reviewing another half bottle. Because I like half bottles. Alright?

Rating ★★★ 3 stars (good)
Region Jurancon, south-west France
Grape Gros Manseng
ABV 13.5%
Price £4.95 for a half bottle from The Wine Society

The Wine Society’s Chilean Pinot Noir review

… is just the kind of wine into whose welcoming alcoholic embrace you’d yearn to tumble after a day of bubblewrap and despair

A closeup of the magenta-dominated label of the Wine Society's Chilean Pinot Noir. The label bears an image of a flower.

I’m on my way to London. Right now. Yeah, check out my power-commuting ass.

(Poor beast. He really doesn’t like the motorway traffic. I knew I should’ve taken the camel instead.)

Jokes, jokes. I’m actually on a bus. A bus enchanted with the sweet, sweet magic of wifi. When I boarded this bus, accompanied by a suitcase big enough to bury me in (although, I like to think, aesthetically unfit for such a purpose: let it be noted that I’d prefer my final place of rest not to possess zips and expandable compartments), I chirpily remarked to the driver that I had ‘all my worldly possessions’ with me.

That, dear reader, was what is known in the trade as a downright fucking lie.

Because — I have discovered — the sum total of Old Parn’s worldly possessions is roughly equivalent in volume to the sum total of the worldly possessions of the dragon in Beowulf.

(Although drastically inequivalent in terms of fiscal value.)

So you may well imagine (if you have nothing better to imagine, you poor, impoverished sod) the innumerable hours of box-stuffing, newspaper scrunching and cutlery-sorting that have lately consumed my evenings. As I BUBBLE-WRAP MY LIFE.

(Or rather — let’s keep this metaphor on its toes, shall we? — as I decide that large portions of my life will probably survive the journey without bubblewrap, because I can’t be arsed with that nonsense.)

Wha’? Uh, sorry, I think I just nodded off, there. You were saying something? Wine? What? You say this is a blog about wine? Uh. Right. Okay. Jesus. Have some patience, won’t you?

Because what I was leading up to (if you’d just let me finish) was this: should you find yourself bubblewrapping your life, what you’re going to need is a welcoming alcoholic embrace into which to tumble, at the end of the tedious, tedious day.

And The Wine Society’s Chilean Pinot Noir gives a pretty comforting embrace.

First up, let’s talk price. Because people keep saying these are straitened times (though I guess they might actually, on reflection, be saying that these are straightened thymes, and I’ve been reading a wholly unintended economic subtext to what are in fact observations of niche culinary trends. It would explain why they were waving a bunch of unusually rigid herbaceous offcuts in my face at the time).

YES, LONDON, YOU ARE LUCKY TO HAVE ME. There ain’t no suitcase big enough to bury my puns.

In any case, this wine is very, very good value. It’s relatively soft. Pinot Noir can (especially at a price like this) be on the austere side. Not so here. It’s pretty ripe, y’know? Fruited, gobfilling. Very accessible. It’s a wine that gives of itself generously; no haughtiness.

To be fair, it doesn’t have anything to be haughty about — it’s not a fine wine, not a highly-strung Pinot Noir racehorse. But you probably don’t need me to tell you that Pinot Noir racehorses don’t come with a price tag like this.

So should you find yourself — drained and desperate — at the end of a day of packing, I urge you to tumble into the welcoming arms of the Society’s Chilean Pinot Noir.

As opposed to tumbling into the dark, hypnotic maw of that large open suitcase in front of you…

Rating ★★★★ 4 stars (very good)
Region Leyda Valley
Grape Pinot Noir
ABV 14%
Price £6.95 from The Wine Society

Mauricio Lorca, Angel’s Reserve Malbec review

… is one angel that takes a while to grow on you — metamorphosing from an empty disappointment to a rather pleasant gob filler

The label of a bottle of Angel's Reserve — decorated with a tribal drawing of a bird

Well, here’s a thing.

You may remember (but may not, given the alcohol-marinated state of your brain) that, a few weeks back, we minced a word or two on the subject of the Angel’s Reserve Torrontes — also made by Mr Lorca.

Now, I rather liked that Torrontes.

But here’s the Malbec. And my first impressions, honestly, weren’t great. I cracked the blighter open, and snouted/throated a few doses. And found it, well, kind of empty. There’s a spiky brambliness to it around the sides and at the front of your mouth, but it dies away very swiftly.

So I plugged up Mauricio’s Malbec and shoved it to one side. Not aggressively, mind. I’m a mild and moderate chap, as you’ll scarcely need telling. But there may have been a touch of pique, nevertheless, in that shove. For I was disappointed.

Spool forward a couple of days, and you join your chum the Parnmeister as he stuffs a bunch of grated-courgette-coated pasta into his ravenous maw. And is grasped by a mighty thirst. Blindly, his quivering arm reaches out, only to encounter that same bottle of Angel’s Reserve.

And — what know’st thou? — it’s one hell of a lot nicer, tonight. That back-and-sides quality of day one has mellowed into a proper ol’ gobfiller. It’s softer, rounder, fuller: it’s gone to seed in the best way imaginable.

Don’t get me wrong: it’s not transformed into a blinder. But it’s transformed into rather a pleasant way to keep my mouth busy (in the scheme of things, y’know).

So, yeah. Even Angels, it seems, can take a while to grow on you.

Rating ★★ 2 stars (a kind of averaged-out rating, here)
Region Mendoza
Grape Malbec
ABV 14%
Price £8.99 from Naked Wines (£5.99 to members)

Villebois Sauvignon Blanc Prestige review

… goes straight down the Sauvignon Blanc line. Doesn’t veer off at idiosyncratic angles or bisect it haphazardly like a drunkard playing hopscotch. Oh no. It goes down that line.

Closeup of the simple typography of this Sauvignon Blanc label — silver lettering on a black label

Imagine a line. You got it? Just a line. Make it whatever colour you like. Come on, get a move on. It’s only two dimensions, for Christ’s sake.

Right.

Well, that line you imagined? This Sauvignon Blanc goes straight down it. Straight. Doesn’t veer off at idiosyncratic angles or bisect it haphazardly like a drunkard playing hopscotch. No. It goes straight down that line.

What I’m saying is — in my achingly, piteously laborious way — is that this is a Simple, Straightforward Sauvignon Blanc.

So I don’t really need to describe it too much. It’s got that nettley, grassy, springy thing. That gob-pleasing blast that’s the white wine world’s equivalent of MSG. Accessible. Light yet tongue-clubbingly flavoured.

I get a bit bored of Sauvignon Blanc, to be honest. But a fucking massive bolus of people don’t. And for those people, Villebois is a solid choice. Because it’s not facile, like some SBs, nor is it so stuffed with zing that your poor gob is overzinged after the first glass. It’s got a bit of poise to it; it’s full, yet it doesn’t cloy.

And if you’re a Naked Wines member, it comes at an extremely attractive price.

So — depending how you like your wines and lines to interact (no, not in a druggy way, you foul cur) — you’ll either like it or you won’t.

Which is pretty much the level of insight you come to this blog for, right?

Rating ??? 3 stars (good)
Region Loire
Grape Sauvignon Blanc
ABV
Price £10.99 from Naked Wines (£7.33 to members) — but, oop, it’s sold out. Bah.