Castillo de Tafalla Angel’s Selection Rose review

… is like a character in a trashy romance novel — for drinking now, asking questions later

A macro shot of the label of a bottle of Castillo de Tafalla rose from Spain

Before we start, I’d just like to tell y’all: this is a review of a free sample I received from Naked Wines. Obviously it receives no special treatment as such, but, yeah, just so you know, right?

Okay. Here’s a wine that’s simple, fruity, easy and goes down very readily. In all respects, then, it’s rather like a character in a trashy romance novel.

In contrast to roses such as the Paxton Shiraz Rose I wrote about a while ago, this one’s far lighter, without that reddy tannin, that grip on your gob.

And it’s a real fruit bomb. A fruit bonbon bomb. The raspberry bonbon, obviously. It’s even the same colour. And it’s a bit sugary, too, bit sweet. Yup, this wine is pink as you like. It’s smooth going down, leaving you very little to think about.

Which is maybe how you like it, I guess.

Me, I prefer a bit of intellectual discourse, y’know? Maybe a few minutes’ talk about the likelihood of stable democracy in Egypt, or the merits of the Oxford comma. Before the going down, I mean.

Verdict

This is a wine that fulfils a particular purpose. It’s not really a wine to criticise or review in depth (SPOT THE INHERENT CONTRADICTION IN THE PREVIOUS SENTENCE FOR A MYSTERY PRIZE). It’s a drink-now-ask-questions-later kind of wine. Where ‘later’ may be defined as ‘when you suddenly realise you’ve got reeling drunk without noticing’.

Perfectly decent, simple fare, in other words, if pretty much bereft of complexity. And very easy.

Buy it to take along a barbecue or something. Yeah, you’re always going to bloody barbecues, aren’t you? You strike me as the chilled out kind of individual who’d be coming down with barbecue invitations.

And with a bottle of Castillo de Tafalla rose in hand and an enigmatic smile, who knows what romantic plotlines you might kick off. You old dog.

Rating ** (2 stars)
ABV 12.5%
Price £7.99 from Naked Wines (£5.33 to members)

Momo Pinot Noir 2008, Marlborough review

… is stuffed with more fruit that a small child at a pick-your-own fruit farm. But matures a hell of a lot more quickly

Closeup of the logo on a bottle of Momo Pinot Noir from New Zealand. A simple typographic logo with lots of white space. Gill Sans is the font, or something like it.

Another day, another pinot noir.

This time, it’s from New Zealand — Marlborough, specifically. And quite a different specimen from the last pinot noir to cross our threshold, the restrained, poised Palataia Pinot Noir from Germany. A good few quid more expensive, too, I might add.

Momo is a far more extrovert manifestation of the pinot noir grape. Like a small child on the way back from a Pick Your Own fruit farm, it’s stuffed with red fruits. Unlike the small child, though, Momo isn’t going to start bawling for your attention in about an hour with a stomach ache. Thank Christ.

Instead, give it an hour in the open air and it’ll get a fair bit more serious. Some bitter undertones develop, a savoury, smoky complexity. Which is most welcome.

Texturally, it’s delightful: that silky, silky pinot noir seduction. And whilst it may be accessible, thanks to all that fruit, it’s far from simplistic. As well as the smokiness, there’s pepper, cinnamon, roses, soil. And a smidge of caramel (but only a smidge).

Verdict

A very enjoyable, stylish kind of wine. Nothing, I must say, to set the Parn palate ablaze — but very creditable, very accessible. Closer to an airport paperback than a penguin classic, admittedly. But a pretty good airport paperback.

What’s more, it’s a wine you’d have to work a lot less hard to love than a squealing toddler with an upset stomach and a stained mouth.

Rating *** (3 stars)
ABV 14%
Price £11.95 from The Wine Society

Picco del Sole Falanghina 2009 review

… will give you jelly babies, aniseed and bolognese sauce — but only if you manage to decork the blighter

A bottle of Falanghina, an Italian white wine. Simple black and yellow label. The bottle, fresh from the fridge, is misted with condensation

So — bottle 4 of my six-bottle taster case from Naked Wines (previous Naked reviews: Mistral Sauvignon Blanc, Tor del Colle Montepulciano and Burgo Viejo Rioja). How will this little Falanghina fare?

Crack the blighter open (may I mention, en passant, that this is the third Naked bottle I’ve had that’s been an absolute rotter to uncork? A proper strenuous veins-standing-out-from-your-temples rotter) and you’re greeted by a delicious aroma. Cut grass, lemon sherbets, exotic fruits.

Yum McYum.

At a waft of this (if you’re anything like me), you’ll be slopping wine on the table in your eagerness to slosh it into your glass.

And, yes, in the gob it’s lively, too. I have to say, it doesn’t quite live up to the fizzing promise of its smell, but it’s still good. That lemon sherbert carries through, along with smidgins of other confectionery (green jelly babies, mayhap, and a good dose of aniseed). There’s a plump helping of mango there, too.

It’s tempered with a hint of bitterness (a pleasant quality in a white like this, I always think) — and, most interestingly, it has a pronounced savoury quality that puts me in the mind of a bolognese sauce. Sounds a bit quirky, eh? Well, don’t get me wrong: it’s not powerfully meaty. But I’d say the flavour is quite noticeably there.

It’s certainly not your usual mass-market Italian white.

There is, though, a little bit of mouthshrivel at the end, so (if you’re not drinking with supper) have it with some crisps, salted nuts or what have you. If this quality were eliminated (as in the delicious Contesa Pecorino I reviewed the other day), I’d like it even more.

Verdict

In my Mistral review, I raised a small doubt about the Naked Wines price model, and, yeah, my words broadly hold true for this wine, too: at Naked member price (£6), it’s a friggin’ steal; at full price (£9), it’s certainly not a rip-off, but I reckon I could find better.

But if you’re Naked? Get in there with Falanghina, I say. Just be prepared for a bit of wrestling and heaving beforehand.

Rating ★★ (2 stars)
ABV
Price £8.99 from Naked Wines (members receive 33% off). Link is to the new 2010 vintage.

Pecorino Colline Pescaresi, 2009, Contesa

… will make your stomach purr with delicious minerality, lissom-lingering fruits and distant cream

A bottle of Contesa Pecorino. Simple white label with a golden crest and clean, elegant typography

Here’s a wine from made from pecorino.

No, not the cheese. You wag.

For it seems that Pecorino is also a white grape variety. A white grape variety that (on the evidence of this example by Contesa) makes dry, deliciously mineral-laced wine.

Yeah, mineral. As opposed, I guess, to animal or vegetable. Contesa’s Pecorino has a stony, chalky dryness. But not — let me reassure you, if that all sounds a bit gullet-rasping — in a harsh way. Because it’s also poised, rounded, cultivated. So more of a meticulously-kept gravel bed than a heap of shale. There’s some cream, some distant fruit in there as the flavours linger (and linger they do, most lissomely) in your mouth.

Verdict

I love mineral-dry whites. They achieve a mouthwatering, stomach-purring appetiser effect — yet need not be excessively acidic. This is a very nice wine to drink before dinner.

And during dinner. And after dinner.

I’m a suggestible old fart, what’s more, so I can’t help but taste — after all — a certain pecorino cheese thing. Yeah, deride me, sure. But there is something about that intensely flavoured, appetising dryness than reminds me of snaffling wafer slices of pecorino, cut from a freshly opened block, when you’re meant to be grating it.

Not that I ever do that.

Rating ★★★★ (4 stars)
ABV 13%
Price £9.95 from The Wine Society

Muscat Tradition, Hugel, 2008 Review

… An insecure Alsatian that needs to see a canine psychologist — but has the sweetest breath you could wish for

Closeup of the label of this Alsace Muscat. Bright, bright yellow label, with bold red and black type and crest

If I say this wine smells very Alsatian, I trust you won’t think I’m talking about dogs.

No. If there’s a dog that smells like this, that critter can breathe in my face any time. It’s floral, perfumed, with soft, ripe tropical fruit overtones.

If you drink wine from Alsace (and, Christ knows, you should) you’ll most likely be guzzling Gewurtztraminer — a grape variety for which the region is renowned. Yeah, and so it should be.

This, though, is a wine made from another grape: Muscat.

From a whiff at it, though, you’d be pardoned for taking it for its more celebrated sibling. Get it in your gob and the similarity to Alsace Gewurtztraminer remains, with that trademark aromatic richness, that stillness — but this has a greater degree of crispness. You’re greeted by a definite citrus bite, and left with a lingering marmalade bitterness. The effect is of a dryer, less indulgently swooning wine than your average Gewurtztraminer.

Though (let’s be clear) this Muscat still swoons a fair old bit.

Verdict

This is a clear, clean, light wine. It’s rather pure. Transparent, you might say. It’s less grapey than I’d expected (Muscat being pretty much the only variety known for producing wines that actually taste of the fruit they’re made of).

Very creditable and pleasant, but I can’t help but feel that it’s a little insecure in its own identity, y’know. Like it’s trying to out-gewurtz a gewurtztraminer (a task at which it can only fail), rather than playing to its own strengths.

In other words, an Alsatian that — despite its delightful breath — could do with being taken to see a (canine) psychologist.

Rating ★★★
ABV 12%
Price £10.95 from The Wine Society, £14.25 from BBR (for the 2009).

Le Fraghe 2009, Bardolino Review

… will light up all the buzzers on the pinball table of your palate. For under a tenner.

Closeup of the lettering on a bottle of Le Fraghe, an Italian red wineLe Fraghe. A wee blend of two grapes: corvina and rondinella. From somewhere between Venice and Milan.

And if it has Venice’s sunset-laced romance, it also has Milan’s fashionable, metropolitan elegance.

It’s gentle, toned, soft, pristine.

And it’s rather beautiful.

In your mouth, it’s full — yet light, elegant. There’s some subdued tannin; some savouriness, some meaty depth, some spice, liquorice. And a sustained, beautifully controlled diminuendo to finish.

Stick your snout in there and inhale the cooked (but not jammy) red fruits of a summer pudding.

Verdict

I really enjoyed La Fraghe. It’s a wine that lights up all the buzzers on the pinball table of your palate. And I’d say it’s pretty damn good value for under a tenner.

Crack it out with food — nothing too honky or flavoursome, mind; probably lighter meats, fish — simple, honest ingredients, please; simply, honestly cooked …

… and (pooph!) you’re right there between Venice and Milan.

Rating ???? (4 stars)
ABV 12%
Price £8.95 from The Wine Society

d’Arenberg Red Ochre Review

… is an absolute pleasure to hang out with: excellent company. No fart jokes.

The label of a bottle of d'Arenberg Red Ochre, with distinctive organge/cream/blue colour bands and the d'Arenberg crest

I’d rather gladly drink a lot of d’Arenberg’s Red Ochre. I mean, I’d like to think I’d stop before doing myself a mischief. But one never can tell when one’s dealing with such a happy, carefree wine. Such a friendly, obliging wine.

For our mate Red Ochre is good company. He’s a pleasure to hang out with. He won’t do anything strange and unpredictable that might cause an awkward silence and nervous attempts to change the subject. He won’t start talking about politics, or making fart jokes. No, he’ll just help you have a good time.

So what’s he like, one-to-one?

A bit of wood, a bit of caramel, a lot of fruit. But not garish fruit. Some sharpness there — like an unsweetened bowl of fresh raspberries (so not unpleasant, then). Depth and complexity (and some tannin) to match the fruit. And, on your tongue, like silk.

On your schnoz, meanwhile, he’s a crowd-pleaser: a big fruity old dose of blackcurrant. Mouthwatering. He smells good. Not especially complex or blokey. Maybe (whisper it) rather metrosexual, actually. But good, damn it.

Verdict

I don’t think this wine (yes, yes, it is a wine, not a person. You’d almost forgotten — hadn’t you? — so evocative was my prose) is setting out to be tremendously multifaceted, shimmeringly complex. It’s setting out to be very, very good to drink. And I’m very happy with that, thanks.

It’s towards the accessible side of the spectrum (with an accessible kind of price, too), but without any of the sickliness, the formulaicism, the infantilisation that too often goes with that territory. It’s very easy to enjoy, but also rather rewarding, with unexpected depths. Brilliant value.

You can spend a whole evening in its company, in other words, without getting bored. And without a single fart joke, I guarantee.

Rating ★★★★ (4 stars)
ABV 14%
Price £7.25 from The Wine Society

Bon Cap 2009 Viognier Review

… will knock you out and stuff a crapload of lilies right in your face. Next thing you know, you’re waking up in a coffin

The label of a condensation-misted bottle of Bon Cap Viognier

Reader, I have a problem. I keep attracting big, butch whites.

It’s not that I have anything against big butch whites. It’s just that, well, I find them a tad overwhelming. I have this old-fashioned tendency to prefer a bit of subtlety. A bit of femininity, dare I say?

OH CHRIST HOW RECHERCHE.

But the big butch whites just keep coming.

My first warning ought to have been the alcohol level of this wine. It’s 14.5%, by the risen Lord! But the alcohol level isn’t my biggest problem.

No. My biggest problem is that this wine makes me think I might actually be dead.

Because some bastard has apparently stuffed a crapload of lilies right in my face and I can’t seem to shove them away.

That’s the overriding aroma. Lily. You might call them ‘lilies of the field’; I call them ‘lilies of the mortuary’. Bleurgh. That heavy, languid, vulgar scent that overpowers your senses like chloroform. The smell of intoxicating death. Cadaver in a wedding dress.

(Sorry, all you lily fans out there, if I’m pissing on your funeral. But I really don’t like that scent. It’s depressing, that’s what it is. Surely I’m not the only one to think this? Come on, drop me a comment if you agree. Join me in my battle against the conspiracy of (lily-livered?) lily-lovers.)

Anyhow, yeah, Viognier isn’t (I realise) the subtlest of grapes. So what did I expect? And I must credit the chaps at Bon Cap with managing to keep a rein on this wine, despite its headstrong ABV. Particularly in light of the fact that the grapes are organically grown, that probably takes a fair bit of winemaking skill. Not that I know the first thing about the technicalities of it, so I’m really just guessing.

(Yeah, I know, you’d all desperately have preferred a 2,000 word essay, here, on the technicalities of Viognier winemaking, wouldn’t you? Well. Sozamonia.)

Verdict

Anyway, the thing is (what I really me-e-ean): it’s not a bad wine — hence my strenuously impartial rating — it’s just not to my taste.

Amongst the lilies, then, we have a floral abundance: lavender, violet, the usual heavily aromatic suspects. There’s a nice old lacing of dark muscovado sugar as you exhale (yes, lungs, exhale! You’re not dead, remember?) In your slack-tongued gob, it’s heavy, too.

Bottom line: if you happen to fancy an alcoholic reminder of your fragile mortality, you could do a good bit worse than Bon Cap Viognier. It’ll give you all the wino-goth thrills you could wish for. But you’ll excuse me, won’t you, if I go for something a little sunnier?

Rating ★★★ (3 stars)
ABV 14.5%
Price I got mine for £9.49 (I think) in The Wine Society’s sale (was originally £11.49). But it’s all gone now.

Tor del Colle Riserva 2006, Montepulciano

… will tantalise you with an all-too-fleeting whiff of bubblegum before becoming thoroughly reasonable, easy and — perhaps — a bit less racy than its Nakedness might have you wish for

The label of Tor del Colle from Montepulciano DOC. The label is typographic in nature, with elegant, refined design in two colours (black and a metallic plum shade)

Wine number two from my Naked case (read my review of Burgo Viejo Rioja Tinto for a smidgin of background about Naked Wines) was unceremoniously cracked open over the weekend. So how fared this plucky little Montepulciano upon the tempestuous seas of Old Parn’s favour?

Not badly; not glowingly. A solid performance. Didn’t disgrace itself. You get the idea.

It was at its funkiest when I’d first opened it — at which point I thought I might be in for something rather special. It had an exhilarating bubblegummy burst to it when I swizzled it round the gob, which I found rather charming.

But the bubblegum disappeared pretty quickly (in stark contrast to actual bubblegum), leaving me with a glass of something altogether more, well, normal. I wish it’d stuck around a bit longer.

Taste-wise, it’s kind of purple. And if you don’t know what I mean by that, get with the synesthesia vibe, man. There’s a bunch of black fruits in there, yeah, and some wood, some tannin to keep it from slopping all over the place (metaphorically speaking, natch.) It’s sweet-scented, relatively soft, easy on the mouth — unchallenging midweek drinking, I’d say.

(And, if you’re a Naked member (STOP SNIGGERING, YOU LITTLE RAT) you’ll get it for a relatively unchallenging midweek kind of price.)

Not sure I’d say it’s worth the full whack of £8.99, though. Think how much bubblegum you could buy for that, after all…

Rating ★★ (2 stars — could almost be 3, but only if you’re getting 33% off)
ABV 13%
Price £8.99 from Naked Wines (or get 33% off if you become a Naked Wine Angel)

Churchill’s 20 Years Old Tawny Port Review

… will dose up your old-mannish port prejudices with a dose of ketamine (and a creamy macadamia chaser)

Looking up at a bottle of Churchill's Port. The label's typography is minimal and elegant

Doesn’t port make you think of big old chaps with gouty feet and snuff-reddened noses?

(Especially when the stuff’s made by an outfit called Churchill’s, for god’s sake.)

Well. Well. Cast aside your old bloke. Kick away his walking stick, crush his pipe and torch his slippers. Because this port is as sprightly as fuck.

In the front of your mouth, there’s a huge burst of bright, sweet, ruby cherry. It glitters. Hell, it’s practically spangly. If this is a codger, it’s a codger on ketamine.

But don’t dismiss it as all spangle; wait a couple of seconds as it sinks and spreads in your mouth like butter. Yum, sweet butter. Toasted butter, nutty butter. Macadamia, almond. Cream.

The box in which my bottle of Churchill's Tawny Port came. A rare example of modern, tasteful wine packaging. The box features striking, high-contrast black and white aerial photography of vineyards to create a brilliant patchwork of texturesAnd before I plough on into the ‘Verdict’ section, may I take a moment to commend the packaging? As you can see above, the label is a model of elegant, typographic minimalism (a few lovely details, such as the apostrophe of Churchill’s). And the whole thing came in a very nicely designed box, left. Beautifully conceived and executed, in my opinion, managing to be both modern and tasteful. Don’t you think?

Verdict

So, yes, as I was saying, allow this port to spread and bloom in your mouth: it’s very long-lived (the only respect in which it could be said to be codgerly). It’s also invigorating and vibrant — yet elegant and poised.

Which makes it the freshest, liveliest, most three dimensional port I’ve had in a good long while.

And if you don’t like the idea of being surprised by port, perhaps it’s you who’s getting a bit doddery.

Rating ★★★★ (4 stars)
ABV 19.5%
Price £24.99 from Oddbins

Burgo Viejo Rioja Tinto, Naked Wines

… a Naked wine that’s like silk wrapped around a slightly splintery wooden post. Does that sound sexy to you? Eh?

A bottle of Burgo Viejo Rioja from Naked Wines

Decant! Decant! Decant!

Apologies for that triple imperative — arguably a rather abrupt (if not outright boorish) way to begin a blog post. But if you happen to be in possession of a bottle of this Rioja from Naked Wines, let’s hope you’re also in possession of a decanter.

But before I elaborate, let’s talk a little about Naked Wines, shall we? Because it’s quite a funky idea for a business.

Background: Naked Wines

Essentially, the whole shebang is based on the principle that wine is cheaper the earlier one buys it. The logical extension? You buy up all of a wine before it’s even been made. You are giving the maker the security (so the thinking goes) to spend all their time and money making a good wine. Read more about the business model on their website.

Now, I’m not quite sure what I think about this. On the one hand, it’s an attractively original approach, and fosters engagement between grower and customer; on the other, capitalism is economically dominant for a reason, after all, and an organisation that has to fight for its sales arguably has a greater incentive to strive than one that’s implicitly insured against risk. Does a guaranteed income not potentially lessen the drive for excellence?

But that’s theory. I’m no economist; and, besides, we’re interested — aren’t we? — in practice. So let’s dive into this Rioja.

The review

Okay, so here’s where my opening battlecry of ‘Decant!’ comes in. Because the first mouthful I took of this Naked Rioja was pretty disappointing. Sure, up the snout it has a sweet, enticing, raisiny waft. And sure, my tongue tingled like a fairy on acid — but the taste experience was oddly flat, despite the apparent intensity of the wine, leaving an impression of thinness, hollowness. My palate went largely untouched

And my palate LIKES TO BE TOUCHED, alright?

Enter decanter, stage left. Just as well I had a few thumbs to twiddle while I waited half an hour or so to let oxygen work its magic.

And it was worth twiddling. The wine became noticeably deeper, silkier — filled out, if you will. I’m glad my instincts told me I should try decanting, for I was otherwise poised to give this wine a bit of a belting.

The flavours and aromas (initially underdeveloped) expand to transformative effect. Peppered blackberries (just the way momma made ’em); liquorice. The combination of bitterness and fruit is strikingly like that of biting into a dark, dark chocalate-encased cherry liqueur.

Even after decanting, it’s somewhat austere: spiny, coniferous. In some respects it put me in mind of youthful pinot noir: it has that stalky vigour. That haughtiness. It plays hard to get.

Its bitter roughness, however, isn’t so pinot. I wonder if age would meld these two sides of the wine better? At the moment, it’s like silk wrapped around a slightly splintery wooden post.

(What do you mean, ‘That makes it sound kind of sexy’? Jesus.)

Just because it’s naked doesn’t mean you need to get all pervy about it.

Anyhow, this was the first of my six-bottle ‘trial’ case from Naked Wines. So we shall see how the remaining bottles stack up, shall we? They’re certainly in the game.

Rating ★★★ (but only if you decant it, or let it age a while)
ABV 13%
Price £7.99 from Naked Wines (though if you join as a Naked Wine Angel, you get 33% off all the wines)

The Wine Society’s Vin de Pays des Cotes de Gascogne

… is worth knocking over a couple of old ladies for, should you happen to see it at a party

Closeup of the label of a bottle of Cotes de Gascogne from The Wine Society. The label has a picture of a row of sunflowers.

Wine served at post-concert receptions. Not necessarily the most pre-possessing of notions.

I found myself in the Cathedral of Christ Church College on Saturday — for an evening of sacred English choral polyphony from the 16th century, courtesy of I Dedicati, an all-male vocal ensemble directed by Greg Skidmore.

(Now, you may think that sounds niche. However, according to the programme, it offered an opportunity to combine undiscovered gems with ‘very well known’ items of repertoire. There are few places in the world besides Oxford, I humbly submit, in which any piece of sacred English choral polyphony from the 16th century could conceivably be described as ‘well known’.)

Anyhow, yes. I digress. The concert (since you were wondering) was excellent.

… and the post-concert drinks were excellent, too. Not only because they gave me a chance to catch up with the fine old bass who’d invited me, but also because our hosts were serving The Wine Society’s Vin de Pays des Cotes de Gascogne.

As soon as I saw the label, I realised the aforementioned fine old bass wasn’t going to be the only dear friend with whom I’d be reunited that night. Indeed, in my enthusiasm to snaffle a glass I may have knocked over an old lady or two. Never mind. See, I’ve had this wine before. And it’s very, very good.

And the kicker? It’s £5.50. Let me spell that out. FIVE AND A HALF OF YOUR BRITISH POUNDS.

Being relatively low in alcohol (10.5%) it’s perfect for convivial quaffing. It’s clean and verdant. A snap of spring in your mouth. Like crunching raw fresh peas straight from the pod.

And it goes down a treat, let me tell you. Whilst not perhaps quite as swooningly polyphonic as the repertoire of I Dedicati, it is a delight to drink. And is, I daresay, destined to appeal to a rather broader audience.

So should you find yourself throwing a party — for Oxonian polyphonists or otherwise — look no further.

Rating ****
ABV 10.5%
Price £5.50 from The Wine Society

Paxton Shiraz Rosé 2009 review

… is a spirited and jolly bid to make pink and green go together. And is sort of successful.

Closeup of the label of Paxton's Shiraz Rose

Yep, it’s a pinkie.

And this one really is pink. It’s deep and dark and vibrant. No pallid blush here; this is a full-on crimson. The difference, I guess, between the colour your face might turn if someone paid you a flirtatious compliment, and the colour your face might turn if you accidentally exclaimed the name of the female genitalia in a class of 13-year-olds.

So. It’s very pink. It’s also green — on the face of it at least — judging by Paxton’s membership of something called 1% For the Planet, and the fact that the wine is made biodynamically.

Which sounds good, even if you’re not really sure what it means.

Meanwhile, fittingly given its colour, it leans more toward the red side of things than the white. You’d not want to chill this’n more than a tad, or you’ll kill off its plump, rosy jollitude.

Because, yeah, it’s pink; it’s jolly. Just like every stereotypical rosy-cheeked wench of tiresomely unimaginative fantasy fiction. Nose-wise, it’s all raspberry and strawberry — almost disconcertingly so, if you’re wary of Kia Ora wine syndrome, like me. And in your mouth, it’s very bright and full.

What surprises is the amount of body (which is what makes it more reddish than many rosés). There’s a good welter of matt tannic action. It’s potentially a mite confusing, even, given the sweetness of the initial mouthburst.

Verdict

I’d very happily drink this wine without thinking too much about it. That sounds a bit of a back-handed compliment. I guess it is. But sometimes you don’t want to be challenged, right? Just ask President Mubarak.

I can imagine drinking it outside in the sun and having a fine old time of it.

But given its rosy-cheeked barwench simplicity, I’m not sure it’s wholly worth £11.99, though — unless you really, really like pink and green together.

Rating ??
ABV 11.5%
Price £11.99 from Oddbins

Spy Valley Gewurtztraminer 2009

… makes an F-117 Stealth Fighter look a bit indiscrete and rough round the edges

A bottle of Spy Valley Gewurtztraminer from New Zealand

Now, Spy Valley may not mean much to you. Not even with its trendy Modern Warfare-type label design. To you, it may be just one more highish-end New Zealand wine brand.

But Spy Valley and me? We got history.

Okay, as history goes, this is very recent history. History from last Wednesday evening, to be precise. On which date, several bottles of Spy Valley Pinot Noir ushered me — disarmingly — far, far down the path of inebriation. To a destination marked ‘Hammered’.

You know. The head-in-hands, only-daring-to-peek-between-clawed-fingers, occasional-abject-moaning-to-noone-in-particular kind of hammered.

(Resulting in, incidentally, a maybe-if-I-wear-my-suit-into-work-today-I-will-trick-my-brain-into-behaving-like-a-professional kind of hangover, the next morning. I don’t think the suit fooled anyone, to be honest. My brain least of all.)

Anyhow. You may well imagine the barely-concealed suspicion and simmering resentment with which I eyed the bottle of Spy Valley Gewurtztraminer I subsequently found lurking in my wine rack. The way you might regard the sister of a man who’d recently punched you in the face.

But, Spy Valley Pinot Noir, all is forgiven!

Because your sister, it turns out, is pretty damn fit.

In other words, this is a very good Gewurtztraminer. Putting it to your nose is like turning on a big tap of flowers, tropical fruits, perfumes of the Orient.

And this wine is smooth. It is so smooth it’s practically frictionless. It makes an F-117 Stealth Fighter look a bit indiscrete and rough round the edges. And it sits in your mouth like nectar. It may well be the quietest, stillest thing you’ve ever had in there: it’s the polar opposite of fizzy. It’s almost as if it went right through ‘still’ and came out the other side.

This is anti-fizz.

And, Christ alive, it’s nice.

Verdict

Unlike our earlier Alsatian fling, Cave de Turckheim, the hefty alcohol of this wine is brilliantly handled, with no flabby belch of ethanol to trouble your quaffing. This is a pedigree Gewurtztraminer — exhibiting all the classic characteristics of the breed. Its honeyed — almost candyflossed — greeting mellows to an unctuous, gobfilling equilibrium. Deliciously inert. And there’s some raisiny depth (and a distant bite of gooseberry) there too, in case this is all sounding a bit too flimsy and high-note for you.

Almost indecently drinkable, then. I could get through bottles of the stuff.

So beware, Old Parn: maybe she’s not so different from her brother after all.

Rating ????
ABV 13.5%
Price £10.95 from The Wine Society (no longer in stock), though I got it in the January sale for a delicious £9.50. They still have it though (for £12.49) at Majestic, and their current deal on New Zealand wines potentially brings that down to £9.99. At that price, I would. Wouldn’t you?

Prieler Pinot Blanc, Seeberg 2009, Burgenland

… will take you down a crispy duck boulevard. But quietly.

A bottle of Prieler Pinot Blanc from Waitrose

Let’s kick off with the good: this is a liltingly fresh pinot blanc, front-loaded with a walloping great bomb of soft fruit. And take it from me, dear reader: it you’re going to be walloped by a bomb, there’s no better bomb by which to be walloped than a soft fruit bomb.

Oh yeah. Heck yeah.

Meanwhile, shove your schnoz into the glass and you’ll delve your way into a magical fantasy land of lemon sherbet fountains and boulevards lined with streetlamp-sized crispy-duck pancakes (yes, really: the water-blood of just-sliced cucumber combined with hoy sin sweetness and sizzled duck).

Back to the gob and, post-bomb, you’ll find there’s a certain unexpected bitterness. Not unpleasantly so.

But the rub. Ay, the rub. You knew there was one coming.

… This wine isn’t as good as it should be for the price. It’s not bad, and, as I’ve already implied, it has some kind-of-funky, kind-of-interesting things going on. But not in sufficient abundance. I’ve focused in on them because I was tasting the blighter. Squirting it to all corners of my trap, snuffling at it like a trufflehunter.

In other words, I should probably have held back on the crispy-duck boulevard stuff above, which makes it all sound quite psychedelic and in-your-face, I realise. But can you blame a man? It’s not every day you get an oriental delicacy wafting up out of your white wine at you.

Y’see, the problem is that you have to work relatively hard to get much out of this wine aside from its initial fruit bomb. Which, though nice, is scarcely £13-worth of bomb (sorry to disappoint you, wine terrorists).

Verdict

So, to be honest, I expected the wine to be a good bit more interesting than it is. What post-bomb complexity it has, it conceals beneath a veil of chardonnayish anonymity. Which is a shame.

Tasting it, I felt bleary-tongued: as if my senses somehow weren’t quite awake enough to experience it properly. Because everything except la bombe is too distant, too muted.

It’s not a bad wine, but at this price it should be better. Dial it up, Prieler, dial it up. Except the bomb. That’s loud enough already.

Rating ★★☆☆☆
ABV 13%
Price £12.99 from Waitrose (£12.34 with online discount)

Millton Te Arai Vineyard Chenin Blanc, 2007, Gisborne

… sheds its steely heiress exterior, switches on some jazz and dances west coast swing

Closeup of the label on a bottle of Millton Te Arai Chenin Blanc

The body, weight and supple finesse of a good chardonnay; the aromatic fruit explosion of riesling. That’s a pretty damn fine combination.

A pretty damn fine combination embodied in this Millton Te Arai Chenin Blanc, which deftly combines many of the attractions of the two top white grapes.

Take your first whiff and you’ll think it’s going to come down much more heavily on the chardonnay side of the scales. It’s got that fat, unapologetic nose-punch — edged about with vegetation. Despite the overtones of candyfloss and blossom, it smells serious, heavy. No messing.

But get it into your gob and you’ll be surprised. The stern, steely heiress suddenly switches on some jazz, necks a couple of martinis and, before you know it, the two of you are dancing west coast swing.

(Sorry, I know my wine personifications are invariably feminine. What can I say?)

Anyhow, yeah, take a gulp and your mouth is instantly greeted by a burst of sweet fruit and mellow aromatics. The sweet-yet-dry fullness of flavour is very like that of a fine, well-balanced German Riesling, but is underpinned by that butter-smooth, well-bred indomitability I expect of a Chardonnay.

(Yeah, see, our heiress doesn’t ever let herself go entirely.)

Verdict

Metaphors aside, all you really need to know is that it’s delicious, that it’s exquisitely balanced and that it’s quite unlike the last Chenin Blanc you had.

(Unless, um, you last had a bottle of this. Obviously. No need to be a smart alec.)

That balance is brilliant: there’s a very considerable acidity to this wine, but it’s absolutely checked by the honeyed, dewey fruit. The two do not cancel one another out, but coexist harmoniously — keeping your tastebuds dancing between sharp and sweet.

Imagine a mug of lemon and honey where the combinations are absolutely perfectly judged. Then forget that, because this is way fucking nicer.

Almost five stars, y’know. Almost.

Rating ★★★★☆
ABV 12%
Price £12.95 from The Wine Society