Rock Samphire Martini at Native Restaurant

An excellent Martini concocted by the fabulous foragers of Native Restaurant.

A quick one for you, today: Native. Amy and I had an excellent supper there, a couple of days weeks months ago. I could probably spout a few hundred words on the food, but let’s keep the focus boozy, shall we? Let’s talk about the Native Martini.

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What I’m doing (March Edition)

All the odds and sods that went on in March and I didn’t bloody tell you about. Hampshire yomps, Hampshire scoff, wine bizniz and a special arrival…

Yeah, I know it’s April now. Sue me. Here’s what I’ve been up to in March.

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What I’m Doing (mid-Feb edition)

All the stuff I’m up to that I either haven’t been concentrating enough to write about properly, or else can’t quite be bothered to. If that sounds like a compelling pitch to you, god help you. Cocktails at Hide Below, Oysters at Bentley’s, alcoholic wisdom from Morgenthaler and more…

You ache, don’t you, for further insights into my almost inconceivably rich and varied lifestyle?

Well let that ache be soothed! Here’s a new series in which I rifle through the receipts crumpled in my wallet and the memories crumpled in my brain. To be published at a frequency of whenever-I-can-be-arsed. Here’s what I’ve been doing so far in February.

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When Clemmie Misses Her Train

In which the delightful Clemmie is reintroduced to these pages, and a tale of debauchery, recklessness, minor infringements and cello-loving is recounted

Now, it’s a blogging faux pas to apologise for — or even refer to — the time that’s elapsed since one’s last post. So I shalln’t. Perhaps you’re hoping I’ll account for myself? Hell, believe me: I’m hoping the same thing, and have been for several years. Still hopin’.

But what follows, I guess, is a sort of oblique apology of its own, in a way. I’m going to tell you the story of yesterday evening.

And for this purpose I’d like you, please, to join me in welcoming back to these pages the inestimable Clemmie. Last time you met her, Clemmie missed her bus. This time, Clemmie misses her train. And then Clemmie catches a taxi, a coach, two tube trains and another taxi.

(I know: it’s all in the way I tell ’em.)

A bottle of Durnberg Gruner Veltliner white wine on a wooden outdoor table, with glasses, olives and assorted items

But our riches-to-rags tale begins with the best Oxford can offer: the Old Parsonage Hotel, with its perpetually burning log fire and its perpetually rather damn nice Durnberg Gruner Veltliner — bracing like a sea-breeze in spring. Of all Oxford’s providers of food and drink, this is the place I most miss.

(And I reckon they probably miss me, too. Clemmie and I have put a fair bit of business their way, y’know? And we’re fucking charming customers, too.)

In the garden of the Old Parsonage, Clemmie is on the phone to her mother. Clemmie’s phone only functions in loudspeaker mode:

‘Mum, don’t say anything rude or horrible, because you’re on loudspeaker.’

Clemmie was supposed to catch the train to her mother’s home in Suffolk. But Clemmie is drinking Gruner Veltliner at the Old Parsonage. The advantages of a phone that works only in loudspeaker mode begin to be apparent.

We don’t linger, though, at the Parsonage. Rather prosaically, this is because I have to go to my old home in order to pick up my cello. In so doing, I am also the delighted recipient of two enormous — but very nice — but enormous — cushions. A gift from my kind little sister.

When one is carrying a cello and two enormous cushions, one needs another drink. And that drink was provided by Portabello restaurant on South Parade. A blossoming blackcurranty Carmenere that had, mayhap, a bit too much of the fruit juice about it for my liking, but was nevertheless welcome enough. Welcome also was the brief presence of Anna ‘Big Mitch’ Mitchell from her house on the other side of the road. Anna had a small pinot noir. Anna is quite a small pinot noir herself. (That’s meant to be a compliment.)

By this stage, alas, anything resembling a plan for the evening had been shredded like a tissue in a blender.

So Clemmie and I left Anna to roam the streets of Oxford — and decided to get a coach to London.

At this point, the class and sophistication of our evening began to take something of a dive:

‘It’s a pity we can’t drink wine on the coach,’ said Clemmie, wistfully.

There was a moment’s silence.

‘Is Tesco’s still open?’

And so it was, dear (horrified) reader, that Clemmie and I found ourselves on the back seat of the coach to London, surreptitiously pouring Tesco’s Finest Fiano (SECURITY PROTECTED) into plastic cups.

(Yes, I bought plastic cups. What do you think we are? Savages? Hey, don’t answer that.)

Now, I happen to believe that wine shouldn’t be taken even remotely seriously. Wine is our bitch, and we do to it as we will. So I don’t feel bad for subjecting Tesco’s Fiano to this treatment.

Especially as it’s not a very nice wine. It’s kind of thin, and has a bit of a fizz to it. Not in a particularly good way.

Nevertheless — as you know — we are nothing if not stoical in our pursuit of shitfacedness. So Tesco’s Fiano and plastic cups it was. Lesser humans might have caved; not Old Parn and Clemmie. The Fiano was dispatched.

… And there we were in Victoria. Me with my cello and my enormous cushions; Clemmie with her enormous bag.

Travelling on the underground on Friday night with a cello and two enormous cushions is an experience that itself requires a degree of cushioning — so it was as well that our resourceful acquisition of that doughty Fiano had anticipated this need. So Clemmie, cello and I happily swayed our way to Putney. To a pub.

At the pub, we had some sauvignon blanc. Or that’s what it tasted like, anyway. Look, if you’re still reading this for the tasting notes, you really need to carry out some kind of reality check at this point.

‘’Scuse me — is that a cello in there?’ asked a thin man wearing a tracksuit.

‘Um, yes.’

‘I love the cello. Do you play it with a bow?’

‘Yup.’

‘Can you pluck it, too?’

‘Oh yes.’

‘I love the cello. There’s something about it that speaks to me.’

Carrying a turding great cello around with you is, believe me, a surefire way to kick off some fantastic conversations. Be that as it may, stringed instrument vendors of Putney should take note: there is a man in a tracksuit out there. Make the sale.

Our cello-besotted conversant having departed, we were at length politely nudged in the direction of finishing our drinks. Even in London, y’know, pubs close.

And so Clemmie bundled herself into a taxi. And my cello, my cushions and I made our slow — yet somehow majestic — peregrination home.

***

An illustration of a rabbit and some flowersWhen I opened the door to my flat and turned on the light, I was greeted by a rabbit.

I picked up the card and turned it over. It was from my neighbour.

Tom
Please talk to me about your packages. Why didn’t you pick up the one last night, I knocked on your door?
H—

I turned the card back over, gave the rabbit a sick kind of smile, and went to bed.

(To be continued…)

Verdicchio dei Castelli di Jesi (Follonica) at Branca Restaurant, Oxford

… scores a little bit lower than a waiter with a funny-shaped head

A curiously-shaped bottle of verdicchio beside a wine-cooler in Branca Restaurant, OxfordThe scene: Branca, a good Italian restaurant in Jericho, Oxford. Two chums — Old Parn (OP) and Faith Amurao (FA) — sit toying with the remains of ham-ensconsed halibut. They are drinking wine from a curiously-shaped bottle, which their waiter has confidently declared (unprompted) to be ‘really drinkable.’

OP: So. The wine. How many stars (out of five)?

FA: Two and a half.

OP: Okay. I think two. Anyway, you’re not allowed half stars. You can’t have a half star.

FA: But you could do it. You could do it with shading…

OP: Check your telescope, Faith. If you can find me a half star up in the night sky, you can use a half star in your rating for this wine. Until then, no half stars for you.

FA: Anyway, now that you said it, I think it actually is a two as well. I wish I’d said two at first. But I think I wanted to give it an average mark. So as not to be too disparaging. Two means slightly worse than average, right?

OP: 0 means terrible; 1 means some flaws; 2 means okay; 3 means good; 4 means very good; 5 means outstanding.

FA: Okay. If three means good, it’s definitely a two.

OP: I’m actually impressed that you even answered the question. You’re good at giving ratings, obviously. How about our waiter, then? How many marks would you give him (out of ten) for hotness?

FA: Four.

OP: Haha.

FA: His head is a bit squashed. He’s slightly below average. Maybe 4.4?

OP: And what about the man who slipped you his number in Wagamama the other day?

FA: He’s actually quite similar to our waiter. His head is quite small too. I’d give him 4.6.

So, there you have it. One below-average wine in a weirdly-shaped bottle; two below-average men with weirdly-shaped heads. And not one of them exciting enough to win Faith’s affections (or, I might add, Old Parn’s).

If you’re drinking in Branca in Oxford, then (food: very good, by the by), I’d choose something other than their Verdicchio.

They probably won’t, however, let you choose your waiter.

Rating ??
ABV 12%
Price £8.99 from The Co-op (currently reduced — would you believe it? — to £4.49. At which price, fair doos, try it for yourself). Needless to say, it costs a fair crack more than that at Branca.

Wine reviews vs restaurant reviews

In which Parn muses on the difference between restaurant reviewers and wine reviewers in the public eye

A question.

First, imagine you reviewed restaurants for a living. And when people asked about your job, you said to them, ‘I review restaurants.’

How many of them do you think would reply — with apparent awe — ‘Oh my god. I could never do that. I don’t know anything about restaurants’?

Now imagine the same exchange, but with ‘wines’ in the place of ‘restaurants’.