Review: Moselle Les Hautes-Bassières Pinot Noir, Château de Vaux 2016

This is an extremely nice, supple, elegant pinot noir from Alsace. I gulped it down alongside some Burgundian escalopes a la Keith Floyd.

Ah, Floyd, lovely Floyd.

I wrote about the lovely Keith Floyd (who, I’m aware, was perhaps not consistently lovely as a man to live with in real life — but, by god, was lovely on camera in his heyday) as an inspiration for restarting this blog. Today’s wine, a fabulous Pinot Noir from Alsace with a ludicrously long name, was an excellent accompaniment to a recipe cribbed from one of the low-fi Floyd clips that the BBC hasn’t yet snatched away from those of us without TV licenses:

I made something akin to the above, but with pork rather than veal. Floyd’s culinary reference point is Burgundy, and the closest I could muster (without straying too far into the costly zone of my wine rack) to Burgundy was a Pinot Noir (same grape, you realise) from elsewhere in France: Moselle Les Hautes-Bassières Pinot Noir, Château de Vaux 2016 (The Wine Society, £13.50 — link is to the 2017, as they’re out of stock of 2016 now).

And, Christ, it’s good.

Snatch it to your nose and you’re enveloped in a heady musk of solvents, fruit and sand. To me it smells oh so magenta. Your own pretentious synaesthesiac mileage may vary.

Straight out of the bottle, it still had a certain stalkiness and petulance, but we hoofed it into the decanter and coaxed away its sulkiness. If you’re drinking the 2016 as well, I suggest you do likewise (or else hold onto it for a few more years, you patient, sensible, tedious old fart). It has that blooming, fruited warmth of a bloody good cherry brandy (dry, rich, complex; not some hideous confected crap) but absolutely no sentimentality or flab. There’s a wonderful steely edge of acidity that stirs your tastebuds into action like a riding crop to the arse of a shambling pony.

Then your pony effortlessly breaks into this sinuous, viscous canter of fruit and spice and warm, long, lovely, friendly alcohol.

I love this (amongst other things — so many other things) about Pinot noir: its ability to be both dancingly light and ridiculously powerful. It’s so goddamn honed. A featherweight boxer of a wine.

And it went delightfully with my pork escalopes — thank you for asking: that acid cutting elegantly through the cream and butter. I’m sure Floyd would have approved. And opened a second bottle.

Parn Essentials: The Society’s Corbières

An essential is all very well. But is it more than an essential? Is it, you may ask, the kind of wine to engender obsessive, bewildering, blind devotion bordering on cultism? Is it, you ask me, paraphrasing to ensure I understand your query, the kind of wine about which one might full-throatedly bellow a simplistic refrain based upon its name?

‘Ooooooooah! Society’s Corbières!’

You know I like this one, of course. The post title gives it away: it’s a Parn Essential because my wine racks are seldom without a bottle or two.

An essential is all very well. But is it more than an essential? Is it, you may ask, the kind of wine to engender obsessive, bewildering, blind devotion bordering on cultism? Is it, you ask me (paraphrasing, I assume, to ensure I understand your query) the kind of wine about which one might full-throatedly bellow a simplistic refrain based upon its name? Is this humble Mr Corbières destined to be the subject of some mindless White-Stripes-bastardised chant redolent of the football stadium?

‘Oooooooah! Society’s Corbières!’

Those are good questions. I mean, really good questions. So good I can scarcely believe I didn’t construct them myself.

Let’s start with the obvious: The Society’s Corbières is red. Duh. It’s also modest. For a start, it only costs £8.25. But beyond that, it has no pretensions of grandeur. Its simple ‘Society’s’ own label telegraphs as much: it’s very much a representative of a greater whole.

I mean, you could argue that there’s a kind of meta-arrogance in adopting that kind of position, couldn’t you? But, I mean, let’s not overthink it, eh?

‘Oooooooah! Society’s Corbières!’

Jeremy Corbyn at some goddamn rally

Once you get the wine into your gob (which is, I suppose, the point of the exercise, god knows how many paragraphs in) you’ll find, though, that its modesty belies its substance. AND HERE’S WHERE THINGS GET TRICKY. Because, you know, this wine is actually just as good in reality as you might reasonably have hoped. More than that, it’s also fun. It’s full, it’s rounded, it doesn’t take itself laughably seriously. That is to say, it’s not the kind of wine that’s fucking desperate to go off on a tedious monologue about its own bêtes noires — Hugo Chávez, say, or the atrocities of Blairism. If you were talking to this wine, which hopefully you realise is testing the limits of metaphor, I think you’d find it a generous conversationalist. You know, one with give and take.

Because, y’know, it’s genuinely humble, genuinely modest. It’s not got that false humility that actually telegraphs a monstrous ego. There’s not a mite of harshness, here, of impatience. I could drink bottles of this shit (and, indeed, do). Because it’s a very easy wine to drink. But that’s not because it’s patronising. Instead, it’s like the best kind of speechwriter, who writes sentences that seem so deceptively simple, yet communicate with an audience beyond their hollering devotees.

‘Oooooooah! Society’s Corbières!’

It’s generous, too: full, and fruit-laden (without being banal and sugary, I should add). It gives you what you want without lectures or circumvention.

I mean, fuck, imagine going on a date with Jeremy Corbyn [OH CHRIST, IS THAT WHO YOU WERE TALKING ABOUT? YOU COULD HAVE MADE IT CLEARER…]

‘Well, I personally don’t believe in indulging in the wasteful and indulgent drinking of alcohol. But would you like a drink?’

And you’d get a 125ml glass of house red, wouldn’t you? If you dared even say yes in the first place.

Fucking hell, this was supposed to be enjoyable. When we set off, you and I, upon this blog post, it seemed amusingly inconsequential, didn’t it? We thought, crikey, this seems like an entertaining premise for an article/leader of the opposition, didn’t we? Oh what japes! What could possibly go wrong?

Well here we are. I hope you’re happy.


The Society’s Corbieres is £8.25 from The Wine Society (a proudly cooperative endeavour). You may freely taste it safe in the knowledge that it won’t tacitly threaten other rival wines you might like to try in future with deselection. You’ll need membership of The Wine Society rather than the UK’s Labour Party to buy it. But the former is, in my experience, an investment you’re substantially less likely to regret.

Wine & Shrooms & Cheese

What do you do when you find wanky shrooms? You buy wanky shrooms, stoopid. And you buy a bloody nice wine to go with them. Also: cheese.

Well — the other weekend, I opened a bottle of Ferraton Lieu Dit Saint-Joseph 2011 (£24 from The Wine Society) and it was bloody excellent. Beyond that, I’m not going to write much more about it. Why?

  1. It came after a brace of negronis (with Sacred Rosehip Cup, natch)
  2. It also came after a bottle of Alsace white
  3. Our splendid friends were having dinner with us, so why the hell would I have been making notes on the wine?

So I can’t tell you with any degree of objectivity or accuracy what it tasted of. But I can tell you how it tasted, which was, like I said, bloody excellent. Fruit, but serious fruit, not jammy nonsense, backed up by heft and spice and the rest.

We had it with mushrooms on toast. Not normal mushrooms on toast (though those are also a majestic thing). No, these were wanky mushrooms on toast. Specifically, girolles (I spotted these in a chichi deli near where I work and cleaned ‘em right out). Wanky shrooms are bloody hard to find if you don’t live in a metropolis replete with upmarket delis. When you do find them, you obey certain iron laws. Since I’m in the mood for ordered lists, let’s crack out another, shall we:

What to do when you find wanky shrooms

  1. Buy them, you idiot
  2. Cradle the resulting shroom-filled brown paper bag in your arms like a stinky, shroomy baby. Occasionally steal surreptitious sniffs as you carry them home, heedless of the disapproving glances of passers-by
  3. When you cook them, don’t fuck about with your poncy cheffy nonsense. They are the star of this show, not you.
  4. You are never the star of this show. When will you learn?
  5. Don’t fucking soak them. If they are absolutely filthy and too difficult to wipe off with a damp cloth, run them extremely quickly under cold water. But don’t let those greedy shrooms gulp up any more water than you can help, because it spoils their splendid texture and makes them squelchy.
  6. Butter is your friend. Garlic is your friend (not too much, please). Parsley is your friend. Thyme is your friend. Lemon is your friend. Salt and pepper are your friends.
  7. My, my. How many friends you suddenly have. Remember point 4, above, before you start congratulating yourself.
  8. Cook the shrooms just enough and absolutely no more. Don’t you dare make a sludgy mess of them, you animal.
  9. It goes without saying that you want wanky bread for your wanky shrooms. Sourdough is ideal.
  10. Mushrooms on toast can be the food of kings. So it’s certainly good enough for you.

I hope this helps.

So. We boshed our way through girolles on toast. All the while gulping away at bloody excellent wine. Then we had cheese.

Cheese was from aforementioned deli also. It was all great, but I want to talk about just one cheese — which happens to be another thing I will pretty much always buy whenever I see it. Waterloo cheese. Christ, it’s outstanding: ridiculously creamy, fabulous stuff. That, I guess, may be down to its provenance: a fine herd of Guernsey cows, who are notoriously creamy buggers. And look how yellow it is.

Waterloo cheese closeup

Come on, if you’re don’t have a string of drool hanging from your lip by now, I don’t want you reading this blog any more.

So, it seems that Waterloo is made in Berkshire by a couple called Anne and Andy Wigmore (yeah, they also make Wigmore cheese, which is superb too), trading as Village Maid Cheese. They’ve won a bevy of golds in the WORLD CHEESE AWARDS, which is admittedly a lesser accolade than being raved about by Old Parn, but impressive nonetheless.

So. In summary, one final ordered list to play us out: consider it homework, if you wish.

  1. Buy Ferraton Lieu Dit Saint-Joseph
  2. Buy good shrooms
  3. Buy Waterloo (the cheese, not — god forbid — the station)

Well? What are you waiting for?

Parn Essentials: Clos la Coutale, Cahors

The finest car interiors you ever smelt. Thwack a few bottles of this bloody decent Cahors into your wine rack, if you please. Then go off and read the next chapter of Melmoth the Wanderer.

Bottle of Clos la Coutale Cahors from the Wine Society

‘This is a good one, isn’t it?’

That’s Amy, just based on an initial snoutful of Clos la Coutale. She’s not wrong.

Amy detests it whenever I try to make her guess what she’s drinking (perhaps she’s read this), and inevitably demands to see the bottle. Fortunately, the label on this one resonates powerfully with her (bizarre and reprehensible) predilection for all things Gothic. I mean, for Christ’s sake, she reads tat like this:

Melmoth the Wanderer novel

Back to Clos la Coutale: she likes the smell, she probably likes the label (I didn’t ask). And she likes the appellation, one assumes:

‘Ca-hors… Ca-hors… Ca-ORRR!’

Amy did A-level French. Many years ago.

But what does she actually think of the wine?

‘Car interiors.’

There’s a huge pause after this. Should I be concerned that car interiors are the sole feature of this wine? Especially when I have plentiful firsthand experience of Amy’s car interior.

‘It smells purple. Definitely car interiors.’

The interior of Amy’s car is definitely grey (offset by yellow Labrador hair). But she’s right: Clos la Coutale does smell purple, and has that pleasantly headache-inducing, solvent-imbued fullness of scent you get from a new car.

It’s got a good grip to it (like Amy’s car), and (like our friend Melmoth the Wanderer, I suppose) it’s satanically dark. My own notes (yeah, despite how it may seem, I don’t actually write my blog posts off the cuff; they just read that way) say that it has ‘that gritty hot smokey thing’, whatever the crap that means. It’s got the snap of acidity to it that’s so necessary in a wine like this, keeping it focused and articulate.

What else? It’s Autumnal — ‘rainy’, in Amy’s word (which is brilliant).

At this point, I’m aware that I’ve effectively outsourced the writing of this blog post to Amy. But isn’t that — dear reader — a good thing? Frankly, I’m more interested in Amy’s adjectives than those of a Master of Wine.

I realise that sounds cheap. I have immense respect for Masters of Wine and seek not to denigrate them and their kind. My point is about context. If I were a supermarket buyer, I’d want the MW’s verdict, for sure. But in my kitchen, one negroni in, it’s not really relevant.

Anyhow. Clos la Coutale (which you can and bloody well should order from The Wine Society, £8.50) is the inaugural member of a new series, which I’m calling Parn Essentials. In Parn Essentials, I’ll introduce you to the bottles that most frequently lurk in my wine rack; my vinous staples. I realise it’s scarcely an original formulation, and I spent at least a minute trying to think of a wittier name for the series. Without success.

‘That’s your problem, Parn: your lack of imagination holds you back. That’s why you’ll never be a successful wine blogger.’

Oh Amy. You should read some successful wine bloggers.

Clos Triguedina / Clos Putney High Street / Cahors Blimey

Jesus, if this is what Putney smells like, no wonder SW15 property prices are so bloody high.

Bottle of Cahors. Bloody rare chunks of bavette steak. A*‘Ah, that smells good! It reminds me of Putney.’

Stick that on your label, Clos Triguedina, why don’t you? Putney! Sweet, odiferous Putney, home to possibly the most polluted highstreet in London. Putney, the place in which weekly wipe-downs of my kitchen windowsill would stain cloths black. Ah, Putney!

‘I mean, it’s the kind of wine you used to give me in your flat in Putney.’

O reader! What the hell went wrong, I ask myself, since Putney? Why am I not giving Amy wine like this every sodding evening (or, at least, weekend, in moderation, in a manner consistent with government guidelines on alcohol consumption)? I mean, Christ, I thought I’d been doing a pretty good job, here in Ealing, but no; relative to my barnstorming debut in SW15, my domestic sommelier performance in W5 turns out to be the ‘difficult (ie. shit) second album’. I guess I’ll have to try harder.

…Which might, I suppose, just mean ordering a few cases of Clos Triguedina.

Because it’s bloody good. I mean, you should know, I guess, that the level of aggression behind my fandom of Cahors is sufficient to put your average English football hooligan to shame. I’d certainly start chants about it, if not all-out fistfights. If I could be arsed, I’d steer this already ludicrous comparison off onto some otiose tangent whereby I’d exploit the fact that the letters QPR not only stand for an English football club (so I gather) but also for the phrase ‘quality:price ratio’. But you and I, my buttery little reader, we are beyond such fripperies, aren’t we? I’ll give you the dots; you join ’em. #engagement

Anyhow. Because it’s a Cahors from The Wine Society, I’m predisposed to like this quite a lot. But even bearing that in mind, it’s jolly nice. Dark, blue-tinged, rich, spicy. Tantalisingly vampiric. And all the usual good stuff. Hedgerow fruits, tobacco and darkness.

If I were a patient man, I’d perhaps have kept this a tad longer; I’m pretty sure it’ll be even nicer in a year or two. But I had a thick chunk of bavette steak and a thirst. And perhaps, somewhere in the recesses of my lizard brain, a hankering to cast myself back to those soot- and Malbec-sodden days of Putney Hill.

Rating ★★★★★ 5 stars (excellent)
Wine Clos Triguedina Cahors 2011
Price £14.50 from The Wine Society

Cellophanity, Putin-pleasuring and Pinot Gris

A significant portion of which is devoted to a spirited ‘crie de coeur’ on the subject of ready meal packaging, and most of the rest of which contemplates distasteful sexual activities practised upon Russian politicians. I’m up-front about this stuff, y’know.

Bottle of Hugel Pinot Gris and some oven ready meal instructions‘Remove cardboard sleeve and peel away plastic film.’

It sounds simple enough, doesn’t it? But, honestly, they may as well have said, ‘Remove cardboard sleeve and give Vladimir Putin a blowjob’, for all the chance I have of accomplishing their instruction with any modicum of ease or pleasure.

I’ve written before about my intense dislike of cellophane that fails grotesquely in its sole goddamn interaction with the customer. But that doesn’t mean I can’t write again. I mean, Christ. Collectively, think of the time humanity wastes on attempting to peel off a plastic seal and instead peeling off a ludicrous thread of plastic from around its rim, repeating this process at each of the carton’s four corners, before (defeated, humiliated) grabbing a knife and slashing psychopathically at the bastard cellophane until our collective shirts are spattered with ragu sauce that looks for all the world like blood.

Time that could be put to better use in — oh, I don’t know — curing cancer or eradicating poverty or watching the latest episode of Sherlock.

Oh, that Sherlock. He wears a nice dressing gown, doesn’t he? (Declare an interest? Me? Piss off.)

But don’t just think of the time. Think of the fucking psychological despoliation wreaked by this supposedly peelable cellophane. Whole generations demoralised by their inability efficiently and rapidly to prepare a godforsaken ready meal (the very words themselves a hollow mockery — for this now ungrippably-cellophanated carton in front of me couldn’t be any less ready); to follow even the unglamorous preparatory instruction — mere prelude to the complex matrix of oven types and temperatures, and frozen vs chilled states. When we see growth rates in the developed world stalling and purchases of pre-prepared food rising, do we not pause to consider the relationship between the two?

JUST AS SODDING WELL, THEN, that I have a half-bottle of Hugel Pinot Gris, 2010 (The Wine Society, £6.95) to calm my cellophane-rage. A sluicing of very pleasant-tasting alcohol to numb my brain to the injustices and indignities of the food packaging regime — analogous, one might venture, to an autocrat’s cynical pampering of an emerging middle class with the finite proceeds of a natural gas boom whose days are numbered.

SEE WHAT I DID, THERE? YOU MIGHT HAVE MISSED IT, BECAUSE IT WAS QUITE SUBTLE. RE-READ THE ABOVE PARAGRAPH IF YOU’RE NOT SURE.

It’s nice, Hugel Pinot Gris. Of the Wine Society’s praiseworthy array of half bottles (several of which I’ve written about already), it’s one of my favourites. I like the way it lies, deliciously inert (like a coma coated in syrup), in your mouth. The way it rings out with fruit, but leaves your tongue free of that ganky aftertaste of the sugary muck that often gets called ‘fruity’.

(Speaking of which — fuck. When you’re pretty much living off wine from TWS and Waitrose, you sometimes forget just how goddamn withering a bad white wine can be. I was in a pub, the other week, and forgot myself to the degree that I actually ordered a glass of white wine — somehow extrapolating from the fact that most wine I drink is quite nice a kind of rule that all wine I choose to drink will therefore be nice. A rule whose inherent fallacy was pitilessly exposed by said pub and its vinous offering.)

Hmm. Somewhere between talking about presidential fellatio and rotten pub wine, I was doing a kind of wine review, there, wasn’t I? Christ alive. Sorry about that. We’ve dispensed, haven’t we, you and I?, with any kind of flimsy, cellophane-esque pretence that you’re here for in-depth or nuanced alcoholic commentary. The commentary of an alcoholic, maybe. But not alcoholic commentary. So let’s leave it at this. Hugel Pinot Gris. Easy to open (if you have a corkscrew). Doesn’t cause you to flail around with a kitchen knife. And definitely tastes better than my ready meal.

Not to mention Putin.

Pain, Lloyd-Webber, Relativism, Redditch and Macon-Villages

In which Old Parn has his pain threshold put to the test, both physically and psychologically, and his concept of luxury dramatically redefined — before collapsing into the embrace of a Wine Society half-bottle.

A photo of a white plastic mask as seen in Phantom of the Opera

‘So, Tom,’ Elaine asked softly, ‘how high is your pain threshold?’

Elaine is, it turns out, very, very strong.

10 minutes later, I am face down with Elaine’s elbow in my back, wimpering like a child.

Elaine grew up in Redditch. I learnt to drive in Redditch. There are lots of roundabouts in Redditch.

My driving teacher, a luxuriantly mulleted old love called Jerry, used to pick me up at the school gates, the strains of The Phantom of the Opera booming from his tiny Peugeot.

Our mutual love of music previously (alas) affirmed, Jerry was eager to know my opinion of Andrew Lloyd-Webber’s seminal work.

I, conversely, was eager to get the fuck out of the school car park. But Jerry wanted me to practise a three-point turn.

Calmly. Carefully. Slowly.

‘…The Phantom of the Opera is there!
Inside my mind.’

Oh, please, Christ, it’s going to be break-time in three minutes.

There is a kind of theme, here. Have you noticed that? It has to do with me being helpless, vulnerable, and yet almost impossibly heroic in the face of danger.

‘Are you doing alright there, Tom?’ asks Elaine.

My hearty reply is undermined as my voice cracks pubescently. I hope that this laryngeal betrayal is muffled by the towel pressed hard across my face. But I’m pretty sure it isn’t.

So. I need to relax.

‘With 90% of the people who come here,’ says Elaine, conversationally, ‘I start on the back then, when that’s done, I go down to the legs. You’re not going to be in that 90%.’

Her tone of voice isn’t menacing. I don’t think she intends this as a threat.

At some point I start burbling manically about pyjamas. This happens increasingly often, these days. This time, though, I keep having to pause, mid-sentence, in a way that is, frankly, entirely lacking in rhetorical justification. The pauses are my only bulwark against a bellowing Parn-howl like that of a bear with its testicles snagged on a barbed wire fence.

And, as bulwarks go, the pauses (right now) feel pretty fragile.

‘… My power over you / Grows stronger yet…’

Briefly, I contemplate the possibility that my life may be flashing before my eyes.

Elaine likes pyjamas. (I also like pyjamas.) She is mildly perplexed at the idea of a dressing gown more expensive than her car. And she is probably right to be perplexed. From my vantage point, the concept of ‘luxury’ has, over the past hour, been rather dramatically redefined simply to denote any experience not involving an elbow in one’s back.

I guess that explains, then, why I hobbled out of that massage and immediately bulk-booked five more. Because what’s an hour of pain and humiliation when the rest of the week suddenly seems, by contrast, like glorious liberation? The Upper Richmond Road has seldom seemed more gold-paved.

And that’s why you should trust absolutely nothing I’m about to write about the bottle of Macon-Villages from Domaine Talmard that I cracked open afterwards. Because, frankly, after all that, I could probably be drinking the bottled contents of a pub urinal in Croydon and still find something positive to say about the experience.

(Well. Okay. Maybe not Croydon.)

So here’s what happens when you drink a half-bottle of Domaine Talmard after a massage from Elaine — your body smugly freed of toxins, your conception of luxury redefined.

You notice, first off, that Domaine Talmard smells a whole lot of apples. Like old, English apples that’ve been sitting around for a bit too long in a crumpled paper bag in the sun.

When you raise the glass to your gob, you experience an electric jolt of pain across your upper back, and your eyelid starts to twitch madly.

But it was worth it. Because it tastes pretty damn nice. Principally, it tastes of toxins. Sweet, delicious toxins. Welcome back to my bloodstream, toxins. I’ve missed you. You and me, toxins, we were a team. I should never have thought otherwise. We belong together.

‘Floating, falling, sweet intoxication
Touch me, trust me, savor each sensation…’

Lazy, perfumed lemon and (yes) those apples, and a bracingly serrated edge of bitterness. And, in your slavering, toxin-thirsty gob, it feels intoxicatingly plump.

Domaine Talmard, you see, didn’t ask me about my pain threshold. Innocent in its demure half-bottle, it just sort of shuffled up close and lent on me a bit. And (unlike that fucking weirdo on the Tube the other day) Domaine Talmard is quite welcome to do that.

But I’ll be going back to Elaine next week.

Because comfortable, snuggly Chardonnay is all very well. But nothing’s going to be quite the same any more.

‘The Phantom of the Opera is there
Inside my mind.’

Wine Macon-Villages, Domaine Talmard, 2011
Grape Chardonnay
Price £5.75 for a half bottle from The Wine Society

A Picpoul de Pinet to neutralise canine flatulence

Domaine Felines Jourdan Picpoul de Pinet should be chilled and ready in your fridge to be snatched out at the first signs of autumn’s fleeting sunshine — or a farting dog

The label of this bottle of Picpoul de Pinet features elegant typography and simple silhouette images of trees

A quickie, today.

(Ooh.)

So here’s a smashing Pee Pee de Pee from The Wine Society. Yes, that’s the same Wine Society that just won Decanter’s National Wine Merchant of the Year award. For the second time running. Which just goes to show two things: 1. that this blog is occasionally (if only coincidentally) capable of vague topicality, and 2. that Decanter Magazine does occasionally manage to do/say something that isn’t as annoying as a farting dog on a rush hour tube.

Anyhow, back to the Picpoul. And a bewitching character it is. The first thing that hits you is the smell: bright, ringing, clean. Delicious. Then you get it into your gob. It’s proper, grown-up, complex, with that stony, bracing quality: while it may be light, it sure as hell ain’t lite.

Elegant, poised and deeply, deeply satisfying. Have a bottle in your fridge and snatch it out when autumn next sees fit to unveil her fleeting sunshine.

Or when you next get home after a long commute alongside someone’s flatulent pet.

Rating ★★★★ 4 stars (very good)
Region Languedoc & Roussillon
Grape Picpoul
ABV 13.5%
Price £7.50 from The Wine Society; £8.95 from BBR

A fresh, thunderstorm-clearing Alsace Riesling

… is a wine for rooftop terraces and golden sunshine

A half bottle of Trimbach Riesling, with distinctive bright yellow label, sits on a tabletop

Fresh!

This is like walking outside into air just cleared by a spring thunderstorm (pavements still wet) after a day in a stodgy, stuffy office. It is delicious. Sharp (grapefruit sharp; stiletto sharp), with a flavour that rings out like a clean-struck bell.

A wine for rooftop terraces; a wine for golden sunshine.

Delicious.

Rating ★★★★ 4 stars (very good)
Grape Riesling
Region Alsace
ABV 13%
Price £6.25 for a half-bottle from The Wine Society; £10.95 for a full bottle.

Jurancon Sec Chant des Vignes, Domaine Cauhapé 2010 review

… doesn’t play remotely hard to get: extrovert, fruit-laden, immediate

A closeup of the label of this Jurancon Sec half bottle from The Wine SocietyThis Jurancon — made from the outstandingly named Gros Manseng grape — has that grassy, springy, verdant burst that you associate with Sauvignon Blanc. And, like Sauv Blanc, it’s mightily accessible. A garden-friendly, pub-friendly, gob-friendly kind of wine. Not remotely playing hard to get, it’s extrovert, fruit-laden, immediate.

But here’s where it beats the pub Sauv Blancs. Yes, it’s got that front-of-mouth accessibility. But it stays in balance. It doesn’t gank up your mouth or descend into sugary blandness. Instead, it’s taut and toned throughout. Balanced, yeah?

Good, simple stuff. And, yes, I’m reviewing another half bottle. Because I like half bottles. Alright?

Rating ★★★ 3 stars (good)
Region Jurancon, south-west France
Grape Gros Manseng
ABV 13.5%
Price £4.95 for a half bottle from The Wine Society