Bonterra Chardonnay 2009 review

… is the kind of wine that probably wouldn’t mind holding onto your parcels for a day or two

(For the background to the following, read the previous post, ‘When Clemmie Misses Her Train’.)

Feeling unaccountably like the boy waiting outside the Headmaster’s office, I found myself standing at the door to my neighbour’s flat.

Pull yourself together, Parnell, I murmured — and administered a falsely assertive rap upon the door.

(When I say ‘rap’, I mean in the sense of ‘knock’ or ‘tap’. Not in the sense of performing a piece of urban spoken music. Though perhaps I should have explored this kind of rap as an alternative means by which to announce my presence. It might have allowed me to retain the initiative a little longer in the ensuing encounter.)

The door swung open. From behind it, a disembodied voice: ‘Do come in.’

Now, reader, let me tell you this: I was all prepared for a doorstep exchange, here. And this invitation to enter wrongfooted me straight away. But what’s a chap to do? I couldn’t very well reply, ‘Um, no, I’d rather conduct this conversation in public view’, now, could I?

So in I went.

‘Don’t you want your parcel?’

This struck me as a needlessly adversarial opening to our conversation.

‘Oh, um, yes please,’ I replied, somewhat meekly.

‘Well why didn’t you pick it up? It’s been here for two days!’

Oh yikes.

‘Gosh — I’m very sorry: it was quite late when I came in last night…’ (Yes, I have a tendency to use expressions such as ‘gosh’ in such situations. I fondly nurture the delusion that it makes me seem charming and socially assured.)

‘But what about the night before? Why didn’t you pick it up then?’

This, I began to suspect, is what intense police interrogation feels like. I began to be confused, to lose track of my cover story. ‘Um… I…’

‘If you’d prefer, I won’t take your parcels. Would you prefer that?’

At this point, I’m sort of stammering — so entirely disorientated am I by the fierce barrage of accusatory questions emanating from this small 98-year-old woman.

‘Um… I don’t know. I don’t want to cause you any trouble.’

‘Well, pick up your parcels! I don’t mind taking them in, but I don’t want the responsibility of keeping them for days.’

(Responsibility indeed.)

‘I’m sorry.’

‘Well. That’s all. You can go now.’

***

A bottle of Bonterra, label with minimalist floral illustrations and handwritten text. In the background a second bottle, out of focusAfter that, as you may well imagine, I needed some kind of alcoholic bracer. And that’s where Bonterra came in.

Bonterra’s is a fruity, a creamy, a taut Chardonnay. While it’s far from self-effacing, there’s none of that wenchy quality that New World Chardonnay can have. There’s some pepper in there, and it’s altogether rather nice — sprightly but full.

What’s more, relative to other chardonnays hailing from its part of the world, it has a pleasant lightness to it. A certain easygoing quality.

The kind of wine, in other words, that probably wouldn’t mind holding onto your parcels for a day or two.

Rating ★★★ 3 stars (good)
Grape Chardonnay
Region Mendocino Valley, California
ABV 13.5%
Price £10.44 from Waitrose, £10.99 from Majestic

Momo Pinot Noir 2008, Marlborough review

… is stuffed with more fruit that a small child at a pick-your-own fruit farm. But matures a hell of a lot more quickly

Closeup of the logo on a bottle of Momo Pinot Noir from New Zealand. A simple typographic logo with lots of white space. Gill Sans is the font, or something like it.

Another day, another pinot noir.

This time, it’s from New Zealand — Marlborough, specifically. And quite a different specimen from the last pinot noir to cross our threshold, the restrained, poised Palataia Pinot Noir from Germany. A good few quid more expensive, too, I might add.

Momo is a far more extrovert manifestation of the pinot noir grape. Like a small child on the way back from a Pick Your Own fruit farm, it’s stuffed with red fruits. Unlike the small child, though, Momo isn’t going to start bawling for your attention in about an hour with a stomach ache. Thank Christ.

Instead, give it an hour in the open air and it’ll get a fair bit more serious. Some bitter undertones develop, a savoury, smoky complexity. Which is most welcome.

Texturally, it’s delightful: that silky, silky pinot noir seduction. And whilst it may be accessible, thanks to all that fruit, it’s far from simplistic. As well as the smokiness, there’s pepper, cinnamon, roses, soil. And a smidge of caramel (but only a smidge).

Verdict

A very enjoyable, stylish kind of wine. Nothing, I must say, to set the Parn palate ablaze — but very creditable, very accessible. Closer to an airport paperback than a penguin classic, admittedly. But a pretty good airport paperback.

What’s more, it’s a wine you’d have to work a lot less hard to love than a squealing toddler with an upset stomach and a stained mouth.

Rating *** (3 stars)
ABV 14%
Price £11.95 from The Wine Society

Bon Cap 2009 Viognier Review

… will knock you out and stuff a crapload of lilies right in your face. Next thing you know, you’re waking up in a coffin

The label of a condensation-misted bottle of Bon Cap Viognier

Reader, I have a problem. I keep attracting big, butch whites.

It’s not that I have anything against big butch whites. It’s just that, well, I find them a tad overwhelming. I have this old-fashioned tendency to prefer a bit of subtlety. A bit of femininity, dare I say?

OH CHRIST HOW RECHERCHE.

But the big butch whites just keep coming.

My first warning ought to have been the alcohol level of this wine. It’s 14.5%, by the risen Lord! But the alcohol level isn’t my biggest problem.

No. My biggest problem is that this wine makes me think I might actually be dead.

Because some bastard has apparently stuffed a crapload of lilies right in my face and I can’t seem to shove them away.

That’s the overriding aroma. Lily. You might call them ‘lilies of the field’; I call them ‘lilies of the mortuary’. Bleurgh. That heavy, languid, vulgar scent that overpowers your senses like chloroform. The smell of intoxicating death. Cadaver in a wedding dress.

(Sorry, all you lily fans out there, if I’m pissing on your funeral. But I really don’t like that scent. It’s depressing, that’s what it is. Surely I’m not the only one to think this? Come on, drop me a comment if you agree. Join me in my battle against the conspiracy of (lily-livered?) lily-lovers.)

Anyhow, yeah, Viognier isn’t (I realise) the subtlest of grapes. So what did I expect? And I must credit the chaps at Bon Cap with managing to keep a rein on this wine, despite its headstrong ABV. Particularly in light of the fact that the grapes are organically grown, that probably takes a fair bit of winemaking skill. Not that I know the first thing about the technicalities of it, so I’m really just guessing.

(Yeah, I know, you’d all desperately have preferred a 2,000 word essay, here, on the technicalities of Viognier winemaking, wouldn’t you? Well. Sozamonia.)

Verdict

Anyway, the thing is (what I really me-e-ean): it’s not a bad wine — hence my strenuously impartial rating — it’s just not to my taste.

Amongst the lilies, then, we have a floral abundance: lavender, violet, the usual heavily aromatic suspects. There’s a nice old lacing of dark muscovado sugar as you exhale (yes, lungs, exhale! You’re not dead, remember?) In your slack-tongued gob, it’s heavy, too.

Bottom line: if you happen to fancy an alcoholic reminder of your fragile mortality, you could do a good bit worse than Bon Cap Viognier. It’ll give you all the wino-goth thrills you could wish for. But you’ll excuse me, won’t you, if I go for something a little sunnier?

Rating ★★★ (3 stars)
ABV 14.5%
Price I got mine for £9.49 (I think) in The Wine Society’s sale (was originally £11.49). But it’s all gone now.