Moroccan wine and food in Marrakech

… in which Old Parn chronicles his imbibitions during a brief sojourn to the city of Marrakech in Morocco — including Medaillon Sauvignon Blanc and Cabernet Sauvignon

Three women in colourful Moroccan dress walk along a road shiny with recent rainfall

I return to your screen, dear reader, revitalised by a brief sojourn to the city of Marrakech. A city where the streets are narrow and the mopeds are fast.

Composite image. On the left, a man rides his moped through a crowded Moroccan souk; on the right, a narrow Marrakech street

This is not the place for an exhaustive travel diary (indeed, there is no place for an exhaustive travel diary. Because that crap is boring as hell.) So I’ll limit myself to the tastes of Marrakech.

And what tastes, what tastes.

I think of bitter lacings of the chargrill, the zing of salt and lemon, the matt tang of cheese. Cinnamon, sugar, prune and lamb. Thrilling collisions of sweet and savoury.

An array of Moroccan starters in beautiful, multicoloured earthenware bowls

And the wine? Well.

Wine ain’t all that easy to come by in Morocco. Religion’n’all, y’know? But most any restaurant seems to have a few bottles around.

A golden-labelled bottle of Medaillon wine, as served in a Marrakech restaurantSo, during our stay, we sampled Medaillon Sauvignon Blanc, Medaillon Cabernet Sauvignon and a Syrah the name of which I foolishly neglected to note. All were Moroccan.

Impressions? Curious beasts, the lot of ’em — the white perhaps most odd of all (a slight tingle of fizz, stewy fruit, decaying blossoms), but all far from usual. A common feature seemed to be a whopping old dose of residual sugar (both reds had a mild whiff of communion wine to them), meaning that all three were far sweeter than you’d expect.

Finesse-wise, they were sorely lacking. But, you know what? In the context, they were damn nice. Perhaps simply because, after a day of being harangued, near-run-over, sun-beaten and bewildered, an alcoholic relaxant was delicious in any form. But also, I suspect, because Moroccan cuisine is so impressive in its marrying of the sweet and the savoury that many finer wines would’ve been entirely out of their depth. Paired with the food, all that sugar actually made a lot more sense.

And, y’know, sometimes (yes, it may sound heretical, but I’ll say it) — sometimes, the wine is just a backdrop.

Anyhow, normal reviewing service will be resumed shortly. Meanwhile, I cordially invite you to peruse my photographs of Marrakech, should you so desire…

Dao Sul Cabriz 2007 review

… is furlongs away from those horrible, flippant, fruit-stuffed wines that taste as if the producer were aiming at 10 year old schoolchildren

Label of a bottle of Portugese red wine produced by Cabriz. The label is relatively plain with a simple illustration of a building

Briefly.

This is a brawny gob-pleaser of a wine. A blend of Alfrocheiro, Tinta-Roriz and Touriga-Nacional grapes. Not, in other words, the famous ones.

And, you know, what? You should try it.

You should try it because it’s only £6.50. And for that price, this is sodding impressive. It’s not hard-going: there’s a welter of dark, dark fruit in there — but it certainly has an unapologetic bolshiness to it. It’s serious, it’s big. Furlongs away, in other words, from those horrible, flippant, fruit-stuffed wines that taste as if the producer were aiming at 10 year old schoolchildren.

There’s a fair old spedaddle of oak in there (aged six months, we are told, in French oak barrels), which smooths the old boy down a bit.

I say again: fantastic value. This easily equals (or beats) plenty of £10 bottles you could buy in the supermarket/off-license.

(Hap-tip to Graeme Semple, on whose recommendation I bought this bottle.)

Rating ★★★ (3 stars)
ABV 13%
Price £6.50 from The Wine Society — but (arseflaps!) they don’t have it any more. So my ‘you should try it’, above, is arguably redundant.

Picco del Sole Falanghina 2009 review

… will give you jelly babies, aniseed and bolognese sauce — but only if you manage to decork the blighter

A bottle of Falanghina, an Italian white wine. Simple black and yellow label. The bottle, fresh from the fridge, is misted with condensation

So — bottle 4 of my six-bottle taster case from Naked Wines (previous Naked reviews: Mistral Sauvignon Blanc, Tor del Colle Montepulciano and Burgo Viejo Rioja). How will this little Falanghina fare?

Crack the blighter open (may I mention, en passant, that this is the third Naked bottle I’ve had that’s been an absolute rotter to uncork? A proper strenuous veins-standing-out-from-your-temples rotter) and you’re greeted by a delicious aroma. Cut grass, lemon sherbets, exotic fruits.

Yum McYum.

At a waft of this (if you’re anything like me), you’ll be slopping wine on the table in your eagerness to slosh it into your glass.

And, yes, in the gob it’s lively, too. I have to say, it doesn’t quite live up to the fizzing promise of its smell, but it’s still good. That lemon sherbert carries through, along with smidgins of other confectionery (green jelly babies, mayhap, and a good dose of aniseed). There’s a plump helping of mango there, too.

It’s tempered with a hint of bitterness (a pleasant quality in a white like this, I always think) — and, most interestingly, it has a pronounced savoury quality that puts me in the mind of a bolognese sauce. Sounds a bit quirky, eh? Well, don’t get me wrong: it’s not powerfully meaty. But I’d say the flavour is quite noticeably there.

It’s certainly not your usual mass-market Italian white.

There is, though, a little bit of mouthshrivel at the end, so (if you’re not drinking with supper) have it with some crisps, salted nuts or what have you. If this quality were eliminated (as in the delicious Contesa Pecorino I reviewed the other day), I’d like it even more.

Verdict

In my Mistral review, I raised a small doubt about the Naked Wines price model, and, yeah, my words broadly hold true for this wine, too: at Naked member price (£6), it’s a friggin’ steal; at full price (£9), it’s certainly not a rip-off, but I reckon I could find better.

But if you’re Naked? Get in there with Falanghina, I say. Just be prepared for a bit of wrestling and heaving beforehand.

Rating ★★ (2 stars)
ABV
Price £8.99 from Naked Wines (members receive 33% off). Link is to the new 2010 vintage.

Pecorino Colline Pescaresi, 2009, Contesa

… will make your stomach purr with delicious minerality, lissom-lingering fruits and distant cream

A bottle of Contesa Pecorino. Simple white label with a golden crest and clean, elegant typography

Here’s a wine from made from pecorino.

No, not the cheese. You wag.

For it seems that Pecorino is also a white grape variety. A white grape variety that (on the evidence of this example by Contesa) makes dry, deliciously mineral-laced wine.

Yeah, mineral. As opposed, I guess, to animal or vegetable. Contesa’s Pecorino has a stony, chalky dryness. But not — let me reassure you, if that all sounds a bit gullet-rasping — in a harsh way. Because it’s also poised, rounded, cultivated. So more of a meticulously-kept gravel bed than a heap of shale. There’s some cream, some distant fruit in there as the flavours linger (and linger they do, most lissomely) in your mouth.

Verdict

I love mineral-dry whites. They achieve a mouthwatering, stomach-purring appetiser effect — yet need not be excessively acidic. This is a very nice wine to drink before dinner.

And during dinner. And after dinner.

I’m a suggestible old fart, what’s more, so I can’t help but taste — after all — a certain pecorino cheese thing. Yeah, deride me, sure. But there is something about that intensely flavoured, appetising dryness than reminds me of snaffling wafer slices of pecorino, cut from a freshly opened block, when you’re meant to be grating it.

Not that I ever do that.

Rating ★★★★ (4 stars)
ABV 13%
Price £9.95 from The Wine Society

Muscat Tradition, Hugel, 2008 Review

… An insecure Alsatian that needs to see a canine psychologist — but has the sweetest breath you could wish for

Closeup of the label of this Alsace Muscat. Bright, bright yellow label, with bold red and black type and crest

If I say this wine smells very Alsatian, I trust you won’t think I’m talking about dogs.

No. If there’s a dog that smells like this, that critter can breathe in my face any time. It’s floral, perfumed, with soft, ripe tropical fruit overtones.

If you drink wine from Alsace (and, Christ knows, you should) you’ll most likely be guzzling Gewurtztraminer — a grape variety for which the region is renowned. Yeah, and so it should be.

This, though, is a wine made from another grape: Muscat.

From a whiff at it, though, you’d be pardoned for taking it for its more celebrated sibling. Get it in your gob and the similarity to Alsace Gewurtztraminer remains, with that trademark aromatic richness, that stillness — but this has a greater degree of crispness. You’re greeted by a definite citrus bite, and left with a lingering marmalade bitterness. The effect is of a dryer, less indulgently swooning wine than your average Gewurtztraminer.

Though (let’s be clear) this Muscat still swoons a fair old bit.

Verdict

This is a clear, clean, light wine. It’s rather pure. Transparent, you might say. It’s less grapey than I’d expected (Muscat being pretty much the only variety known for producing wines that actually taste of the fruit they’re made of).

Very creditable and pleasant, but I can’t help but feel that it’s a little insecure in its own identity, y’know. Like it’s trying to out-gewurtz a gewurtztraminer (a task at which it can only fail), rather than playing to its own strengths.

In other words, an Alsatian that — despite its delightful breath — could do with being taken to see a (canine) psychologist.

Rating ★★★
ABV 12%
Price £10.95 from The Wine Society, £14.25 from BBR (for the 2009).

Domaine de Mourchon 2005, Seguret, Cotes du Rhone Villages

… will seduce you with a heady waft of fruit, then pull you up, slap you and strap you, look you fucking DEAD in the eye and ask you: ‘Do you think you’re hard enough?’

A closeup of the label of a bottle of Domaine de Mourchon. Relatively modern label design for a Cotes du Rhone, typographic emphasis

I’m sorry, but that was fucking amazing.

Rare, rare — fuck, practically endangered — sirloin steak. Meat so tender its fibres splay apart like fishnet. And a big, chunky Cotes du Rhone. Nothing too venerable or refined — still young enough to play loud music and pout when its parents come and tell it to quiet down.

Something avec spunk.

And Domaine de Mourchon’s got spunk. At the same time as being rather complex. Sure, it may play loud music, but it also surreptitiously reads William Blake and watches film noir.

The combination of spunk and complexity doesn’t always come cheap. But I don’t begrudge a sodding penny of the £14.50 I spent on this wine; nor of the £5 I spent on 200g of the best steak I could find. So take your ‘Dine in for £10’, Marks & Spencer, and stuff it up the rotisserie-ready orifice of your choice. Because I’m dining in for £20 — yeah, just me — and it’s STILL A PRIVILEGE.

Yeah, the wine. That’s what we were talking about, wasn’t it?

So — it’s got that initial jubilant fanfare of blackcurrant that you so often find in new world wines from these grapes (Domaine de Mourchon is made from 60% grenache; 40% syrah) — but, here, that gleeful fruit isn’t allowed to dominate. First of all it’s softened up by a delicious — almost bready — savouriness. Then it’s wrestled to the ground by stern tannins, their muscles laced with dark veins of pepper, spice, wood, leather.

And all the while there’s an alluring slip of aniseed waifing around, smiling coyly, just to confuse you.

Verdict

I don’t know about you, but I go weak and jibbly for wines that seduce me with a heady waft of fruit, then pull me up, slap me and strap me, look me fucking dead in the eye and ask me if I reckon I’m hard enough.

I suspect I’m not hard enough.

But get enough blood-oozing red meat and Domaine de Mourchon down my gullet and I might start to think I am.

Rating ★★★★ (4 stars)
ABV 14.5%
Price £14.50 from The Wine Society

Mistral Sauvignon Blanc, Naked Wines

… will underwhelm you. But the people selling it to you? They’ll whelm yo’ ass right off.

A bottle of Mistral Sauvignon Blanc in the foreground, with colourful abstract art on the label. In the background (out of focus) a glass of white wine.

Naked Wines underwhelmed me with this one.

But then (hot damn!) they went right in and fucking whelmed me something proper.

But let’s not get ahead of ourselves. Let’s talk about the underwhelm, first.

So. Mistral Sauvignon Blanc. A disappointing wine. I mean, it’s not bad. It’s just, well, rather uninspiring.

A bit empty, a bit nothingy.

Rather like Old Parn running the 400m, it starts off energetically enough (though already people are whispering that it’s worryingly thin and pale) — but then it has a really poor finish.

You’ll be snuffling and flaring your nostrils like something out of The Witches in an attempt to get much out of this wine: aromatically, it’s very closed down for so zingy a grape variety. And what aromas you do get out of it are typical, a tad uninteresting. Except (alas) for a faint waft of nappy. I’m sorry. Really, I am. But there it is.

Verdict

Increasingly, I’m coming to think that there’s a small problem with Naked Wines’ model: the ‘full price’ figure seems rather inflated. You see, I’d be chagrined if I’d spent £7.50 on this wine. In fact, I had it for a reduced rate (part of a taster case). But because I have £7.50 as an RRP in my head, I’m psychologically primed for a £7.50-quality wine. Even if I’ve actually paid a good deal less than that (hell, this is a £5 wine if you’re a member — in which light it suddenly seems a heck of a lot less disappointing).

Alas, £7.50 is still the yardstick I’m measuring it up against. And it falls short.

Don’t take this as an attack on those fine Naked fellows. I remain intrigued and impressed by their business model — and I enjoyed the first two bottles of theirs I reviewed (whilst still harbouring the slight impression of over-optimistic ‘full’ prices, I might add). While this specimen is definitely less good than those other two, it’s still by no means terrible; just unexciting, middle-of-the-road.

So I suppose I’m just saying that, psychologically, their pricing model isn’t quite hitting the right note for me.

Then again, I’ll tell you what is hitting the right note: the fact that, a few hours after I’d casually tweeted a message about my disappointment with this wine, one of the Naked guys was contacting me to offer me my money back on it*.

That, in case you are wondering, is fucking uberwhelming.

Rating * (1 star) — but ***** for customer service
ABV 12.5%
Price £7.50 from Naked Wines (£5 if you’re a member)
* Fo’ yo’ info, I didn’t take him up on his offer. It may’ve been disappointing, but it wasn’t bad.

Le Fraghe 2009, Bardolino Review

… will light up all the buzzers on the pinball table of your palate. For under a tenner.

Closeup of the lettering on a bottle of Le Fraghe, an Italian red wineLe Fraghe. A wee blend of two grapes: corvina and rondinella. From somewhere between Venice and Milan.

And if it has Venice’s sunset-laced romance, it also has Milan’s fashionable, metropolitan elegance.

It’s gentle, toned, soft, pristine.

And it’s rather beautiful.

In your mouth, it’s full — yet light, elegant. There’s some subdued tannin; some savouriness, some meaty depth, some spice, liquorice. And a sustained, beautifully controlled diminuendo to finish.

Stick your snout in there and inhale the cooked (but not jammy) red fruits of a summer pudding.

Verdict

I really enjoyed La Fraghe. It’s a wine that lights up all the buzzers on the pinball table of your palate. And I’d say it’s pretty damn good value for under a tenner.

Crack it out with food — nothing too honky or flavoursome, mind; probably lighter meats, fish — simple, honest ingredients, please; simply, honestly cooked …

… and (pooph!) you’re right there between Venice and Milan.

Rating ???? (4 stars)
ABV 12%
Price £8.95 from The Wine Society

d’Arenberg Red Ochre Review

… is an absolute pleasure to hang out with: excellent company. No fart jokes.

The label of a bottle of d'Arenberg Red Ochre, with distinctive organge/cream/blue colour bands and the d'Arenberg crest

I’d rather gladly drink a lot of d’Arenberg’s Red Ochre. I mean, I’d like to think I’d stop before doing myself a mischief. But one never can tell when one’s dealing with such a happy, carefree wine. Such a friendly, obliging wine.

For our mate Red Ochre is good company. He’s a pleasure to hang out with. He won’t do anything strange and unpredictable that might cause an awkward silence and nervous attempts to change the subject. He won’t start talking about politics, or making fart jokes. No, he’ll just help you have a good time.

So what’s he like, one-to-one?

A bit of wood, a bit of caramel, a lot of fruit. But not garish fruit. Some sharpness there — like an unsweetened bowl of fresh raspberries (so not unpleasant, then). Depth and complexity (and some tannin) to match the fruit. And, on your tongue, like silk.

On your schnoz, meanwhile, he’s a crowd-pleaser: a big fruity old dose of blackcurrant. Mouthwatering. He smells good. Not especially complex or blokey. Maybe (whisper it) rather metrosexual, actually. But good, damn it.

Verdict

I don’t think this wine (yes, yes, it is a wine, not a person. You’d almost forgotten — hadn’t you? — so evocative was my prose) is setting out to be tremendously multifaceted, shimmeringly complex. It’s setting out to be very, very good to drink. And I’m very happy with that, thanks.

It’s towards the accessible side of the spectrum (with an accessible kind of price, too), but without any of the sickliness, the formulaicism, the infantilisation that too often goes with that territory. It’s very easy to enjoy, but also rather rewarding, with unexpected depths. Brilliant value.

You can spend a whole evening in its company, in other words, without getting bored. And without a single fart joke, I guarantee.

Rating ★★★★ (4 stars)
ABV 14%
Price £7.25 from The Wine Society

Bon Cap 2009 Viognier Review

… will knock you out and stuff a crapload of lilies right in your face. Next thing you know, you’re waking up in a coffin

The label of a condensation-misted bottle of Bon Cap Viognier

Reader, I have a problem. I keep attracting big, butch whites.

It’s not that I have anything against big butch whites. It’s just that, well, I find them a tad overwhelming. I have this old-fashioned tendency to prefer a bit of subtlety. A bit of femininity, dare I say?

OH CHRIST HOW RECHERCHE.

But the big butch whites just keep coming.

My first warning ought to have been the alcohol level of this wine. It’s 14.5%, by the risen Lord! But the alcohol level isn’t my biggest problem.

No. My biggest problem is that this wine makes me think I might actually be dead.

Because some bastard has apparently stuffed a crapload of lilies right in my face and I can’t seem to shove them away.

That’s the overriding aroma. Lily. You might call them ‘lilies of the field’; I call them ‘lilies of the mortuary’. Bleurgh. That heavy, languid, vulgar scent that overpowers your senses like chloroform. The smell of intoxicating death. Cadaver in a wedding dress.

(Sorry, all you lily fans out there, if I’m pissing on your funeral. But I really don’t like that scent. It’s depressing, that’s what it is. Surely I’m not the only one to think this? Come on, drop me a comment if you agree. Join me in my battle against the conspiracy of (lily-livered?) lily-lovers.)

Anyhow, yeah, Viognier isn’t (I realise) the subtlest of grapes. So what did I expect? And I must credit the chaps at Bon Cap with managing to keep a rein on this wine, despite its headstrong ABV. Particularly in light of the fact that the grapes are organically grown, that probably takes a fair bit of winemaking skill. Not that I know the first thing about the technicalities of it, so I’m really just guessing.

(Yeah, I know, you’d all desperately have preferred a 2,000 word essay, here, on the technicalities of Viognier winemaking, wouldn’t you? Well. Sozamonia.)

Verdict

Anyway, the thing is (what I really me-e-ean): it’s not a bad wine — hence my strenuously impartial rating — it’s just not to my taste.

Amongst the lilies, then, we have a floral abundance: lavender, violet, the usual heavily aromatic suspects. There’s a nice old lacing of dark muscovado sugar as you exhale (yes, lungs, exhale! You’re not dead, remember?) In your slack-tongued gob, it’s heavy, too.

Bottom line: if you happen to fancy an alcoholic reminder of your fragile mortality, you could do a good bit worse than Bon Cap Viognier. It’ll give you all the wino-goth thrills you could wish for. But you’ll excuse me, won’t you, if I go for something a little sunnier?

Rating ★★★ (3 stars)
ABV 14.5%
Price I got mine for £9.49 (I think) in The Wine Society’s sale (was originally £11.49). But it’s all gone now.

Palataia Pinot Noir 2009 Review

… won’t blast you with fruit & veg like some crazed pyromaniac greengrocer. No; it’s lean, discrete, introverted. And in disguise.

A closeup of the label of Palataia Pinot Noir from Marks & Spencer

A little illustration of wine marketing, here. Look at the label above. Notice something? Or, rather, don’t notice something?

Yeah. We don’t know where this wine comes from. Sure, we know it’s made of Pinot Noir. But nowhere on the label (no, not even in the blurby writeup on the back) does it state its country of origin. No: this is a wine in disguise. It’s adopted a generic, vaguely South American-sounding brand name; our only clue is a mention of the region: Pfalz.

That’s because — yep — it’s a red wine from Germany.

And this fact, alas, is apparently a stigma to rank alongside infection with pneumonic plague.

That’s a shame, that is. Because — on the evidence of this wine — we have nothing to fear.

This is very much an Old World-style Pinot Noir. By which I mean, it’s lean, discrete, introverted. It won’t blast your gob with salvos of fruit and veg, like some rampaging pyromaniac greengrocer. Which is a relief.

Instead, it’s bitter, herbaceous, intensely savoury. It tastes — and feels — distinguished.

It’s not bereft of fruit, by the way. Indeed, to an unusual extent, this is a wine that actually tastes grapey. But I’m talking the whole package: grape skins, grape pips, grape stalks.

Verdict

Not at all bad, then. The wine’s downfall, as far as I’m concerned, is its lack of length: a mouthful is over relatively quickly; it doesn’t linger much. This gives it a tendency towards emptiness on its own, so I’d pair it with food (something simply-cooked, not too bolshy).

But Pinot Noir isn’t easy to produce. Especially in this (far more unforgiving) style. Especially at this price.

Credit to M&S, then, for carrying an unusual, serious, good value wine like this. It’s just a shame it has to appear in disguise.

Rating ★★★ (3 stars)
ABV 13.5%
Price £8.49 from Marks & Spencer

Tor del Colle Riserva 2006, Montepulciano

… will tantalise you with an all-too-fleeting whiff of bubblegum before becoming thoroughly reasonable, easy and — perhaps — a bit less racy than its Nakedness might have you wish for

The label of Tor del Colle from Montepulciano DOC. The label is typographic in nature, with elegant, refined design in two colours (black and a metallic plum shade)

Wine number two from my Naked case (read my review of Burgo Viejo Rioja Tinto for a smidgin of background about Naked Wines) was unceremoniously cracked open over the weekend. So how fared this plucky little Montepulciano upon the tempestuous seas of Old Parn’s favour?

Not badly; not glowingly. A solid performance. Didn’t disgrace itself. You get the idea.

It was at its funkiest when I’d first opened it — at which point I thought I might be in for something rather special. It had an exhilarating bubblegummy burst to it when I swizzled it round the gob, which I found rather charming.

But the bubblegum disappeared pretty quickly (in stark contrast to actual bubblegum), leaving me with a glass of something altogether more, well, normal. I wish it’d stuck around a bit longer.

Taste-wise, it’s kind of purple. And if you don’t know what I mean by that, get with the synesthesia vibe, man. There’s a bunch of black fruits in there, yeah, and some wood, some tannin to keep it from slopping all over the place (metaphorically speaking, natch.) It’s sweet-scented, relatively soft, easy on the mouth — unchallenging midweek drinking, I’d say.

(And, if you’re a Naked member (STOP SNIGGERING, YOU LITTLE RAT) you’ll get it for a relatively unchallenging midweek kind of price.)

Not sure I’d say it’s worth the full whack of £8.99, though. Think how much bubblegum you could buy for that, after all…

Rating ★★ (2 stars — could almost be 3, but only if you’re getting 33% off)
ABV 13%
Price £8.99 from Naked Wines (or get 33% off if you become a Naked Wine Angel)

The winner of last week’s Wine Competition

In which Old Parn reveals the lucky winner of his first wine competition

Thank you to everyone for your entries, first of all. I had fun reading hundreds of identical messages on Twitter, and methodically noting them all down.

But (as the cliche rumbles) there has to be a winner. And, on this occasion, I’m overjoyed to proclaim that the prize of 5 bottles of Wine Society goodness will go to Martin McCann, aka bar1ibrary.

Congratulations to the aforementioned gentleman, whose first words (tweeted) to the assembled press pack upon hearing the news were as follows:

‘I’m honoured. Actually I’m flabbergasted. Thank you and thank the random number generator.’

Indeed.

Anyhow, it was heaps of fun, wasn’t it? And I wouldn’t be at all surprised if I were to run another wine competition in the future. So y’all should subscribe (by email or RSS) to make sure you don’t miss it. Yah?

The method

In case you’re interested, here’s how I randomly selected the winner. I’d been logging each entrant (monitored via Tweetdeck hashtag alerts) in a spreadsheet.

I then used this handy online random number generator to, well, generate a random number — between 1 and 250 (the number of entries). The number it threw up (8, as it happened) corresponded to the row of the spreadsheet in which our friend bar1ibrary’s entry was logged.

So now you know.

Churchill’s 20 Years Old Tawny Port Review

… will dose up your old-mannish port prejudices with a dose of ketamine (and a creamy macadamia chaser)

Looking up at a bottle of Churchill's Port. The label's typography is minimal and elegant

Doesn’t port make you think of big old chaps with gouty feet and snuff-reddened noses?

(Especially when the stuff’s made by an outfit called Churchill’s, for god’s sake.)

Well. Well. Cast aside your old bloke. Kick away his walking stick, crush his pipe and torch his slippers. Because this port is as sprightly as fuck.

In the front of your mouth, there’s a huge burst of bright, sweet, ruby cherry. It glitters. Hell, it’s practically spangly. If this is a codger, it’s a codger on ketamine.

But don’t dismiss it as all spangle; wait a couple of seconds as it sinks and spreads in your mouth like butter. Yum, sweet butter. Toasted butter, nutty butter. Macadamia, almond. Cream.

The box in which my bottle of Churchill's Tawny Port came. A rare example of modern, tasteful wine packaging. The box features striking, high-contrast black and white aerial photography of vineyards to create a brilliant patchwork of texturesAnd before I plough on into the ‘Verdict’ section, may I take a moment to commend the packaging? As you can see above, the label is a model of elegant, typographic minimalism (a few lovely details, such as the apostrophe of Churchill’s). And the whole thing came in a very nicely designed box, left. Beautifully conceived and executed, in my opinion, managing to be both modern and tasteful. Don’t you think?

Verdict

So, yes, as I was saying, allow this port to spread and bloom in your mouth: it’s very long-lived (the only respect in which it could be said to be codgerly). It’s also invigorating and vibrant — yet elegant and poised.

Which makes it the freshest, liveliest, most three dimensional port I’ve had in a good long while.

And if you don’t like the idea of being surprised by port, perhaps it’s you who’s getting a bit doddery.

Rating ★★★★ (4 stars)
ABV 19.5%
Price £24.99 from Oddbins

Burgo Viejo Rioja Tinto, Naked Wines

… a Naked wine that’s like silk wrapped around a slightly splintery wooden post. Does that sound sexy to you? Eh?

A bottle of Burgo Viejo Rioja from Naked Wines

Decant! Decant! Decant!

Apologies for that triple imperative — arguably a rather abrupt (if not outright boorish) way to begin a blog post. But if you happen to be in possession of a bottle of this Rioja from Naked Wines, let’s hope you’re also in possession of a decanter.

But before I elaborate, let’s talk a little about Naked Wines, shall we? Because it’s quite a funky idea for a business.

Background: Naked Wines

Essentially, the whole shebang is based on the principle that wine is cheaper the earlier one buys it. The logical extension? You buy up all of a wine before it’s even been made. You are giving the maker the security (so the thinking goes) to spend all their time and money making a good wine. Read more about the business model on their website.

Now, I’m not quite sure what I think about this. On the one hand, it’s an attractively original approach, and fosters engagement between grower and customer; on the other, capitalism is economically dominant for a reason, after all, and an organisation that has to fight for its sales arguably has a greater incentive to strive than one that’s implicitly insured against risk. Does a guaranteed income not potentially lessen the drive for excellence?

But that’s theory. I’m no economist; and, besides, we’re interested — aren’t we? — in practice. So let’s dive into this Rioja.

The review

Okay, so here’s where my opening battlecry of ‘Decant!’ comes in. Because the first mouthful I took of this Naked Rioja was pretty disappointing. Sure, up the snout it has a sweet, enticing, raisiny waft. And sure, my tongue tingled like a fairy on acid — but the taste experience was oddly flat, despite the apparent intensity of the wine, leaving an impression of thinness, hollowness. My palate went largely untouched

And my palate LIKES TO BE TOUCHED, alright?

Enter decanter, stage left. Just as well I had a few thumbs to twiddle while I waited half an hour or so to let oxygen work its magic.

And it was worth twiddling. The wine became noticeably deeper, silkier — filled out, if you will. I’m glad my instincts told me I should try decanting, for I was otherwise poised to give this wine a bit of a belting.

The flavours and aromas (initially underdeveloped) expand to transformative effect. Peppered blackberries (just the way momma made ’em); liquorice. The combination of bitterness and fruit is strikingly like that of biting into a dark, dark chocalate-encased cherry liqueur.

Even after decanting, it’s somewhat austere: spiny, coniferous. In some respects it put me in mind of youthful pinot noir: it has that stalky vigour. That haughtiness. It plays hard to get.

Its bitter roughness, however, isn’t so pinot. I wonder if age would meld these two sides of the wine better? At the moment, it’s like silk wrapped around a slightly splintery wooden post.

(What do you mean, ‘That makes it sound kind of sexy’? Jesus.)

Just because it’s naked doesn’t mean you need to get all pervy about it.

Anyhow, this was the first of my six-bottle ‘trial’ case from Naked Wines. So we shall see how the remaining bottles stack up, shall we? They’re certainly in the game.

Rating ★★★ (but only if you decant it, or let it age a while)
ABV 13%
Price £7.99 from Naked Wines (though if you join as a Naked Wine Angel, you get 33% off all the wines)

The Wine Society’s Vin de Pays des Cotes de Gascogne

… is worth knocking over a couple of old ladies for, should you happen to see it at a party

Closeup of the label of a bottle of Cotes de Gascogne from The Wine Society. The label has a picture of a row of sunflowers.

Wine served at post-concert receptions. Not necessarily the most pre-possessing of notions.

I found myself in the Cathedral of Christ Church College on Saturday — for an evening of sacred English choral polyphony from the 16th century, courtesy of I Dedicati, an all-male vocal ensemble directed by Greg Skidmore.

(Now, you may think that sounds niche. However, according to the programme, it offered an opportunity to combine undiscovered gems with ‘very well known’ items of repertoire. There are few places in the world besides Oxford, I humbly submit, in which any piece of sacred English choral polyphony from the 16th century could conceivably be described as ‘well known’.)

Anyhow, yes. I digress. The concert (since you were wondering) was excellent.

… and the post-concert drinks were excellent, too. Not only because they gave me a chance to catch up with the fine old bass who’d invited me, but also because our hosts were serving The Wine Society’s Vin de Pays des Cotes de Gascogne.

As soon as I saw the label, I realised the aforementioned fine old bass wasn’t going to be the only dear friend with whom I’d be reunited that night. Indeed, in my enthusiasm to snaffle a glass I may have knocked over an old lady or two. Never mind. See, I’ve had this wine before. And it’s very, very good.

And the kicker? It’s £5.50. Let me spell that out. FIVE AND A HALF OF YOUR BRITISH POUNDS.

Being relatively low in alcohol (10.5%) it’s perfect for convivial quaffing. It’s clean and verdant. A snap of spring in your mouth. Like crunching raw fresh peas straight from the pod.

And it goes down a treat, let me tell you. Whilst not perhaps quite as swooningly polyphonic as the repertoire of I Dedicati, it is a delight to drink. And is, I daresay, destined to appeal to a rather broader audience.

So should you find yourself throwing a party — for Oxonian polyphonists or otherwise — look no further.

Rating ****
ABV 10.5%
Price £5.50 from The Wine Society